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Pattern Recognition, by William Gibson
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The accolades and acclaim are endless for William Gibson's coast-to-coast bestseller. Set in the post-9/11 present, Pattern Recognition is the story of one woman's never-ending search for the now.
- Sales Rank: #80819 in Books
- Brand: Berkley
- Published on: 2005-02-01
- Released on: 2005-02-01
- Original language: English
- Number of items: 1
- Dimensions: 6.81" h x .94" w x 4.19" l,
- Binding: Mass Market Paperback
- 384 pages
- Great product!
Amazon.com Review
The first of William Gibson's usually futuristic novels to be set in the present, Pattern Recognition is a masterful snapshot of modern consumer culture and hipster esoterica. Set in London, Tokyo, and Moscow, Pattern Recognition takes the reader on a tour of a global village inhabited by power-hungry marketeers, industrial saboteurs, high-end hackers, Russian mob bosses, Internet fan-boys, techno archeologists, washed-out spies, cultural documentarians, and our heroine Cayce Pollard--a soothsaying "cool hunter" with an allergy to brand names.
Pollard is among a cult-like group of Internet obsessives that strives to find meaning and patterns within a mysterious collection of video moments, merely called "the footage," let loose onto the Internet by an unknown source. Her hobby and work collide when a megalomaniac client hires her to track down whoever is behind the footage. Cayce's quest will take her in and out of harm's way in a high-stakes game that ultimately coincides with her desire to reconcile her father’s disappearance during the September 11 attacks in New York.
Although he forgoes his usual future-think tactics, this is very much a William Gibson novel, more so for fans who realize that Gibson's brilliance lies not in constructing new futures but in using astute observations of present-day cultural flotsam to create those futures. With Pattern Recognition, Gibson skips the extrapolation and focuses his acumen on our confusing contemporary world, using the precocious Pollard to personify and humanize the uncertain anxiety, optimistic hope, and downright fear many feel when looking to the future. The novel is filled with Gibson's lyric descriptions and astute observations of modern life, making it worth the read for both cool hunters and their prey. --Jeremy Pugh
From Publishers Weekly
Gibson, known as the "patron saint of cyberpunk lit," has made his reputation with futuristic tales. Though his new novel is set in the present, baroque descriptions of everyday articles and menacing anthropomorphic treatment of the Internet and sister technology give it a sci-fi feel. Cayce Pollard, a market researcher with razor-sharp intuition, makes big bucks by evaluating potential products and advertising campaigns. In London, she stays in the trendy digs of documentary filmmaker friend Damien (away on assignment), whom she e-mails frequently. When Cayce brusquely rejects the new logo of advertising mogul Hubertus Bigend, she earns his respect and a big check but makes an enemy of his graphic designer, vindictive Dorotea Benedetti. Hubertus later hires Cayce to ferret out the origin of a series of sensual film clips appearing guerrilla style on computers all over the world and attracting a growing cult following. Cayce treats this as a standard job until somebody breaks into Damien's flat and hacks into her computer. Suddenly every casual encounter carries undertones of danger. Her investigative trail takes her to Tokyo and Russia and through a rogue's gallery of iconoclastic Web-heads. Casting a further shadow is the memory of her father, Win, a security expert (probably CIA) missing and presumed dead in the World Trade Center disaster of exactly a year earlier. For complicated reasons even she doesn't understand, she connects her current dilemma with her father's tragedy and follows the trail with the fervor of a personal vendetta. Gibson's brisk, kinetic style and incisive observations should keep the reader entertained even when Cayce's quest begins to lose urgency. Gibson's best book since Mona Lisa Overdrive should satisfy his hardcore fans while winning plenty of new ones.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School-Cayce Pollard is a well-paid professional marketer. She and her friends-filmmakers, dealers in electronic esoterica, designers, and hackers-live on the cutting edge of a highly technological, "post-geographic" world, where the manipulation of cultural trends can bring great power. When she is employed to discover the source of "the Footage," a mysterious film that has been appearing in bits and pieces on the Web and gathering a worldwide underground following, her survival is at stake. In her search for the auteur, she outwits corporate spies, terrorists, and mobsters in London, Tokyo, Moscow, and New York; struggles with ethical issues; and even delves into the mystery of her father's disappearance on September 11, 2001. Some readers might feel that this novel demands too much of them-the prose is witty, each page challenges with provocative observations, and there are a lot of pieces to the puzzle. But those who enjoyed Gibson's earlier work, or the writing of Neal Stephenson or Bruce Sterling, should relish this headlong race through an unsettling but recognizable world to a surprisingly humane conclusion.
Christine C. Menefee, Fairfax County Public Library,
Copyright 2003 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Pretty good story, lack luster ending
By Toni
I had to read this book for a class in university and I got rather into it despite it not being the kind of story I would usually read. It had a slow start, and it took me a few chapters to get into it, but then I just kept going.
However, the ending did seem a bit weird. I felt that it could have had a better ending, but I personally couldn't think of something better that would sum up the plot. But overall, not bad, I would recommend it to a friend
0 of 0 people found the following review helpful.
Just not for me
By r morgan
Just not for me. Believe me, I hate to say anything negative about the great writing of William Gibson. However, I just could not get into this book through the first three-quarters. I thought it ended well, but had a hard time getting there.
3 of 3 people found the following review helpful.
Return to Form!
By Mark Silcox
I actually found the first hundred pages of this book kind of difficult to get into. Gibson's prose style, with all of the broken sentences and cyberjargon, which struck me as indefatigably cool when I was in my teens, started off seeming very forced and gimmicky. The main character is a bit of a cipher. And Gibson also seems to have decided that high-level marketing-speak is the new idiom within which we should all be engaging in social philosophy and cultural criticism. Whereas I tend to think that the old-fashioned idioms of social philosophy and cultural criticism actually tend to do a pretty good job, still.
But the ending - wow! Gibson turns out to have developed an unusually profound understanding of just how precariously the flashy, opulent global capitalism of the 21st century sits upon the ashes of an older world. This is his best book since his first two masterpieces, _Neuromancer_ and _Count Zero_, and absolutely required reading for anybody under the age of fifty. Don't miss it!
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