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The new Manor House Mystery by the author of Dig Deep for Murder.
In World War II England, the quiet village of Sitting Marsh is faced with food rations and fear for loved ones. But Elizabeth Hartleigh Compton, lady of the Manor House, stubbornly insists that life must go on--except for her kindly tenent, who's been murdered.
- Sales Rank: #1376610 in Books
- Published on: 2003-09-02
- Released on: 2003-09-02
- Original language: English
- Number of items: 1
- Dimensions: 6.70" h x .61" w x 4.34" l,
- Binding: Mass Market Paperback
- 224 pages
- In World War II England, the quiet village of Sitting Marsh is faced with food rations and fear for loved ones. But Elizabeth Hartleigh Compton, lady of the Manor House, stubbornly insists that life must go on--except for her kindly tenent, who's been murdered
Most helpful customer reviews
11 of 11 people found the following review helpful.
A splendid British historical
By A Customer
Even though her parents were killed in the London bombings and her ex-husband absconded with most of her money Lady Elizabeth Hartleigh Compton is determined to look after her tenants and the villagers of Sitting Marsh. As the lady of the Manor, she feels it is her duty to set an example to the people who look her for guidance during the perilous times of WW II.
When one of her new tenants, artist Basel Thorncraft, is murdered she is told that the local constables are not handling the case. There are rumors in the village of a German spy staying in the area waiting for a pick-up by his masters. Elizabeth thinks that the spy killed the artist but there are so many new faces in the village that she doesn't have a clue as to who the perpetrator is. She starts her own investigation, an action that has always put her in danger in previous homicide investigations.
PAINT BY MURDER is a splendid British historical cozy that gives the reader a feel of what life was like in the small English towns during W.W.II. The heroine is always torn between acting like a proper English lady and giving in to the impulses that always get her in dangerous situations. Kate Kingsbury's Manor House mysteries are simply delightful and her latest work is no exception.
Harriet Klausner
14 of 14 people found the following review helpful.
Best of the Series
By Louis M. Perdue
This, the fifth in the Manor House series of mysteries, is the best thus far. In this entry, the murder of one of Elizabeth's tenants is not the main focus. More time is spent on the dramas going on in her life as well as the lives of the other inhabitants of fictional Sitting Marsh. I enjoyed this book for that very reason - Kate Kingsbury tends to write better serial fiction than actual mysteries. Usually the mystery parts of her books are quite easy to figure out and I prefer reading about the progress in the various relationships. All in all, this is a quick and light read that makes for a pleasant Sunday afternoon.
2 of 2 people found the following review helpful.
Teamwork At Last
By Island River Scribe
This is the 5th book in the Manor House series, which takes place in WWII England circa 1942 – 1944. I would not consider this a standalone novel as so much character and societal development has taken place previously. And this story begins only a few months after the conclusion of the previous.
In the prior novel, “Dig Deep for Murder,” the Beckham cottage on the manor had been the focus of several incidents. Fred Beckham had died of a heart attack in the cottage and then his body was mutilated in order to cover up a crime of a different sort. Before the tale was finished, the villain had attacked Lady Elizabeth in the cottage and left her to die.
Now Lady Elizabeth has found another body in the Beckham cottage, the new tenant, an artist by the name of Basil Thorncroft. Thorncroft has been stabbed to death through the heart, with no clues as to the identity of the murderer. And, thus, the first of the three plot threads is established.
The second plot thread, while truly secondary to the other two, is the continuing story of Polly, Lady Elizabeth’s assistant, and her relationship with the American pilot, Sam Cutter. In the last novel, Sam, by way of his own anger, wrecked a Jeep, causing massive injuries to his face. The psychological damage is even more massive and that aspect is part of this novel.
The other major plot thread is the relationship between Lady Elizabeth and Major Earl Monroe, a friendship that is really so much more for each of them but as yet un-confessed to the other. Then circumstances surrounding the murder serve as catalyst for those un-confessed feelings to begin their path toward a public declaration.
In this regard, feelings that had just been barely touched on or alluded to erupt into full acknowledgment in both Elizabeth’s internal monologues and Earl’s dialog. And it is in Elizabeth’s internal monologues that Kingsbury’s research and insight into the culture of the British nobility and the culture of that era shines. Elizabeth examines her feelings for Earl, acknowledges to herself that she loves the man and still decides that she must choose what is right in the long run rather than the temporary high of succumbing to the wants of the present.
The scenes between Lady Elizabeth and Earl are charged with honest emotion and the author cuts to the quick in their depth of understanding. Kingsbury paints a heart-rending clash between what they feel for each other and what they should do about what they feel, which, in the culture of the time, is nothing since Earl is married. But their friendship survives and even deepens as their sense of honor and their guiding principles remain steady.
By the end of the novel, the murderer is revealed and caught by the teamwork of Elizabeth and Earl. We are caught up on the activities of Violet (the cook), Martin (the senile butler), Sadie (the maid) and Marlene (Polly’s sister). And we are introduced to Douglas McNally, whose presence and purpose in Sitting Marsh is definitely the prelude to at least one more novel, if not more.
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