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Mister Posterior and the Genius Child, by Emily Jenkins
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A Barnes & Noble's Winter Discover New Writers pick!
Woodstock was over. The Beatles had just broken up. Sesame Street was new. And people in Cambridge, Massachusetts were getting in touch with their feelings. It was 1970, the year Vanessa Brick was picked as a Super Duper Speller for the Cambridge Harmony School. In this novel from a brilliant new voice in fiction, a now-grown Vanessa looks back on a time that was less innocent than it seemed…
I remember how it was to be eight. I remember the playground rhymes, the fierce cliques, and the girls we called “The Fu**ers.” That year was the year my mother adopted an unprecedented number of cats and dated an ardent nudist. I finally found out the truth about my father and his anti-vegetarianism; and my only close friend became a person I didn’t know. It was also the first time I was conscious of myself as a person with secrets; as a freethinking human being with something to say. Something not everyone wanted to hear.
The year I was eight I became the most notorious child in the history of the Cambridge Harmony PTA…
- Sales Rank: #1414840 in Books
- Published on: 2002-12-03
- Released on: 2002-12-03
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x 1.00" w x 7.00" l, .55 pounds
- Binding: Paperback
- 304 pages
From Publishers Weekly
This funny, touching first novel captures the domestic anarchy of the 1970s through the eyes of brainy eight-year-old Vanessa Brick, a student at an alternative Cambridge, Mass., elementary school. Vanessa's well-meaning but frazzled mother, Debbie, is divorced and raising Vanessa with the help of divorced neighbor Katty, who decides she's a lesbian, and boy-crazy teenage babysitter Landis. The free-loving, ashram-going grownups in this book insist on treating their children like adults, though no one seems to have a very clear idea what adulthood means anymore. Vanessa's best friend, Anu Bhaduri, is her true support, but Anu becomes traumatized and withdrawn after she's mooned by a flasher terrorizing the neighborhood, leaving Vanessa to muddle through playground politics on her own. Vanessa is chosen to write a play incorporating classroom spelling words (which include "syphilis" and "gestate"), but when she names all her characters with euphemisms for buttocks and uses the word "receptacle" to discuss the proper function of the anus ("You put things in a Receptacle... but things come out of your bottom.... It is not a good idea to put anything in"), she sparks a schoolwide controversy over just what kind of limits and examples adults should be setting for children. With dead-on dialogue, Jenkins deftly satirizes the narcissism of the 1970s while maintaining compassion for those caught in the maelstrom-especially the likably vulnerable Debbie and the winning Vanessa. A charming debut that will have readers of Vanessa's generation chuckling with recognition.
Copyright 2002 Reed Business Information, Inc.
About the Author
Emily Jenkins is the author of Tongue First: Adventures in Physical Culture. She has a doctorate in English from Columbia University. This is her first novel.
Most helpful customer reviews
4 of 4 people found the following review helpful.
intrepid eight-year-old explores newfound consciousness
By Bruce J. Wasser
It is no easy feat the describe and define the onset of self-awareness in a child's life; the task is more difficult when the child's consciousness forms itself in the heady, self-aborbed early 1970s. Emily Jenkins' winning debut novel, "Mister Posterior and the Genuis Child" creates a memorable eight-year-old protagonist in Vanessa, who most endure growing up in Cambridge, Massachusetts, in a home where her single mother,Debbie, tries to navigate the currents of consciousness-raising, alternative education and sexual satisfaction. Vanessa's voice rings true; her complex personality invites empathy and her myriad school and home experiences delight, horrify and illuminate. "Posterior" features an impressive, fast-paced narrative which enhances Jenkins' sharply-etched characters and invests their foibles with sympathy instead of disdain.
Vanessa is a sensitive, precocious child who is acutely aware of her marginal status at a progressive, counter-culture, purportedly child-centered school. Chafing at her suddenly obvious differences, Vanessa alternates between rejecting her distinctiveness and embracing it. Upon discovering her status as a scholarship student -- a poor kid from a poor, single-parent family -- and ingesting a classmate's comments on her being different, Vanessa remarks that "it felt like confirmation of something I had known all along."
Her mother, whom Vanessa resolutely calls Debbie, struggles with her own baggage. "The only child of two blisteringly spotless people," Debbie rebels through diet and her own steadfast belief in her daughter's right to be. Debbie repudiates her parents' "veneer of shiny white happiness" as she flails away at her solitary life. Dating a seemingly endless array of losers, Debbie unwittingly increases the velocity of Vanessa's maturation by hiring a babysitter, whose adolescent fixation on boys augments a budding curiosity in Vanessa.
This desire to know, to question leads Vanessa into conflict with quasi-permissive (but secretly manipulative and lazy) teachers whose premise of allowing children to prgress at their own pace runs afoul of their unwillingness to instruct and guide. A member of the "Super Spellers," Vanessa includes explicit sexual vocabulary in a hilarious script she was voluntarily coerced into writing. The episode reveals not only her vivid imagination but also the utter blindness of school authorities to authentic childhood creativity.
Vanessa adamantly refuses to perceive herself as a victim, and this core resiliency carries her through the central crisis of the novel: an exhibitionist whose bare bottom alarms her mother, babysitter and neighborhood but merely amuses her. Vanessa's unflinching belief in herself -- a self defined by imagination, play and discovery -- serves as a model of behavior, not just for children, but for adults as well.
"Mister Posterior and the Genuis Child" is vibrant and engaging. Its author, Emily Jenkins, invests her protagonist with an informed childhood sensibility, one open to hurt and fear, but even more receptive to the wondrous, messy possibilities of life.
2 of 2 people found the following review helpful.
The world keeps turning -
By A Customer
The world keeps turning through the eyes of this 8 year old whose vision is both quirky and intensely aware. The humor catches us by surprise, the moments of truth are sometimes painful, and there's an undercurrent of willingness to live life fully that buoys up all of it. Emily Jenkins has brought to life characters who are oddly familiar yet have plenty to teach us, naming them with Dickensian accuracy and bouncing them off each other in ways that remind us sometimes of a circus and sometimes of a ballet. Her refined ability to capture the moments that matter and weave them into a story with meaning mark a first novel that will keep you reading.
2 of 2 people found the following review helpful.
Steller First Novel!
By puce
I was lucky enough to take a class taught by Emily Jenkins, while at college. Back then, I thought she was a great teacher and talented writer and now a few years later, I see that I was absolutely not mistaken. This book was funny, clever, so creative and poignant, I can't imagine anyone not finding it completely engrossing and worth finishing in a day and a half(as I did.) I am definitely very much looking forward to Emily's next novel!!
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