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Appaloosa, by Robert B. Parker
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When Virgil Cole and Everett Hitch arrive in Appaloosa, they find a town suffering at the hands of a renegade rancher who’s already left the city marshal and one of his deputies dead. Cole and Hitch are used to cleaning up after scavengers, but this one raises the stakes by playing not with the rules—but with emotion.
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- Sales Rank: #81776 in Books
- Brand: Berkley
- Published on: 2006-06-06
- Released on: 2006-06-06
- Original language: English
- Number of items: 1
- Dimensions: 6.80" h x .80" w x 4.20" l, .34 pounds
- Binding: Mass Market Paperback
- 320 pages
- Great product!
From Publishers Weekly
Starred Review. It's been years since Parker has won a major literary award for a novel (he did collect a Grand Master trophy from MWA in 2002), but that may change with this stunning western, a serious contender for a Spur. This is only Parker's second western, after the Wyatt Earp story Gunman's Rhapsody (or third if you count the Spenser PI quasi-western Potshot), but he takes command of the genre, telling an indelible story of two Old West lawmen. The chief one is Virgil Cole, new marshal of the mining/ranching town of Appaloosa (probably in Colorado); his deputy is Everett Hitch, and it's Hitch who tells the tale, playing Watson to Cole's Holmes. The novel's outline is classic western: Cole and Hitch take on the corrupt rancher, Randall Bragg, who ordered the killing of the previous marshal and his deputy. Bragg is arrested, tried and sentenced to be hung, but hired guns bust him out, leading to a long chase through Indian territory, a traditional high noon (albeit at 2:41 p.m.) shootout between Cole's men and Bragg's, a further escape and, at book's end, a final showdown. Along the way, Cole falls for a piano-playing beauty with a malevolent heart, whose manipulations lead to that final, fatal confrontation. With such familiar elements, Parker breaks no new ground. What he does, and to a magnificent degree, is to invest classic tropes with vigor, through depth of character revealed by a glance, a gesture or even silence. A consummate pro, Parker never tells, always shows, through writing that's bone clean and through a superb transferal of the moral issues of his acclaimed mysteries (e.g., the importance of honor) to the western. This is one of Parker's finest. Agent, Helen Brann. (June)
From Bookmarks Magazine
Taking a break from his long-running series of Spenser novels, Parker moseys back to the Old West. He’s eyed this back-acre before in Gunman’s Rhapsody, a fictionalization of the Wyatt Earp story, but critics feel Appaloosa’s original plot allows him more room to develop his trademark themes of personal honor and masculine camaraderie. With sharp dialogue and a plot that "gallops to a perfect, almost mythical ending," it’s clear that Parker can swap genres and not lose a step (St. Petersburg Times). In fact, a few critics even note that he seems refreshed by the change of scenery.
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
Randall Bragg owns the small frontier town of Appaloosa. He and his crew assault the women, steal from the merchants, and shoot anyone who gets in the way (including the marshal). Virgil Cole and Everett Hitch have wandered through the west cleaning up towns like Appaloosa. They are hired guns, but they doggedly revere the law. Cole and Hitch back Bragg down with a minimum of bloodshed and, with the help of a formerly recalcitrant witness, convict him of murder. But Cole's weakness for the beautiful but deeply flawed Allie makes possible Bragg's escape. When he eventually returns with a presidential pardon and a veneer of civility, Cole is trapped: if he kills Bragg, he'll have violated his own code, but if he doesn't, he'll lose Allie to his rival. Narrating the story over the distance of many years, Hitch takes stock of his friendship with Cole and achieves a degree of independence. Parker, author of the Spenser, Sunny Randall, and Jesse Stone series, writes ceaselessly about male bonding, codes of honor, and hard men doing hard things. But never has he explored so convincingly the selflessness--and the acceptance of another's flaws--that forms the core of any true friendship. Parker fans will expect the action and the smart-ass banter, but it's the sense of melancholy and irrevocable sacrifice that will separate this fine novel from most of the author's recent work. Wes Lukowsky
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
61 of 66 people found the following review helpful.
Review of Appalosa by Robert B. Parker
By C. Baker
Robert B. Parker has offered a western written in his usual fast paced, clipped writing style that is highly engaging and entertaining. While not a literary masterpiece, Parker does an excellent job of creating unique fascinating characters, providing subtle insights into them, and posing ethical dilemmas that his characters work out using their own internal moral structure.
Appaloosa introduces us to two marauding law men - Virgil Cole and Everett Hitch. The story is told in the first person from the point of view of Hitch, who plays second fiddle to Cole, a seasoned and dangerous gunman. Cole and Hitch are hired by the aldermen of Appaloosa, a town that is being terrorized by a nefarious rancher named Randall Bragg. Bragg and his men murder the previous Marshal and now take whatever they want from the town - be it whiskey, food, or women. Cole and Hitch are hired to put an end to town's suffering. They eventually arrest Bragg for the murder and once convicted help transport him to be hung. Not surprisingly, Bragg escapes with the help of some hired gunmen, two brothers who even Cole is apprehensive of. This leads to, of course, a gun fight between the two sides. Through all this, Cole has fallen for a deeply flawed and dangerous woman, Ms. French, who he refuses to leave despite her treacherous ways. This sets up more drama at the novel's conclusion.
While this western follows a similar plot line as many novels in its genre, and there is nothing really new or unique here, it does have some distinguishing characteristics. First, it's clear that Cole and Hitch walk a fine line between being law abiding citizens and simply assassins, and it's a line they may have crossed in the past, and seem to be in constant danger of crossing in the novel. First and foremost they are hired guns with the cloak of legality and they set their ethical parameters to meet whatever moral code they have constructed for themselves. Secondly, the character of Ms. French introduces a great dilemma in the novel for Cole - and for Hitch - which is very cleverly wrapped up in the novel's conclusion.
This was very entertaining and fast paced novel for a lazy afternoon of reading.
24 of 27 people found the following review helpful.
On the Stretch
By Richard B. Schwartz
As I've written before, it's always good to get Parker off of autopilot, out of Boston and put him on a slight stretch. Under those conditions you see his real skills as a writer. In a different time and a different setting he is forced to develop a sense of place, a sense of language and a sense of character and he's always up to the task. There's no feeling of exaggeration, with heavyhanded indications that he's now in his 'western mode'. The people, places, language, and attentiveness to nuance are all spot on. As in all good genre writing there is a faithfulness to expectation. The plot is traditional--the nasty, tyrannical, lawless rancher vs. the hapless townfolk, who bring in the hired guns--and there are nice set pieces (a tracking scene across great distances, ruminations on gender relationships in the old west, some local color and historical authenticity with a Kiowa brave counting coup). My only reservation concerns the ending, which comes a little too quickly, a little too neatly, and is a tad short on blood, gore, and justice/vengeance. Nevertheless, this is a strong western, at least the equal of its predecessor and top summer reading.
23 of 26 people found the following review helpful.
Thoughtful, melancholy western but also funny & exciting
By Joseph P. Menta, Jr.
"Appaloosa" is a quick, involving, but thoughtful reading experience. The characters and situations can be taken on their own terms as exciting story elements, but also as metaphors for old time America making way, for better or worse, for a new America.
It is also very interesting to see Mr. Parker put a new spin on his frequent theme of personal codes and how they make the man: namely, it examines what can happen when a violent but law-abiding sheriff (a guy who is an expert killer but who will kill only when the law says it is okay for him to do so), goes head to head with a rich sociopath who is able to buy the law and make it work to his own advantage.
In the end, one character makes a decision and a sacrifice that allows the old ways to go on a little longer, but it's clear that the victory is a temporary one, and that the slow encroachment of new America- a place of many comforts and benefits, but also a place where wealth often speaks louder than justice- was only temporarily slowed down.
Like "Gunman's Rhapsody" (another western) and "Double Play", this is another of the occasional novels Mr. Parker writes that do not feature any of his popular continuing detective characters. And like all Mr. Parker's novels- the ones that feature continuing characters and the ones that don't- this one is well worth your time.
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