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Hard Hard City, by Jim Fusilli
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At his daughter's request, P.I. Terry Orr searches for a gifted teenage boy who has disappeared only to meet with unexpected violence and unexpected realizations about himself, his past, and his own relationship with his daughter.
- Sales Rank: #3549698 in Books
- Published on: 2005-09-06
- Released on: 2005-09-06
- Original language: English
- Number of items: 1
- Dimensions: 6.68" h x .85" w x 4.32" l, .0 pounds
- Binding: Mass Market Paperback
- 304 pages
From Publishers Weekly
In Fusilli's fourth entry in this complex, character-driven crime series, Terry Orr, single parent and occasional private detective, is more analytical and less self-absorbed than he was in 2003's Tribeca Blues. Daniel Wu, the appealing friend of Orr's precocious teenage daughter, Bella, asks him to find the missing Allie Powell, a student at Manhattan's Fashion Institute of Technology. Orr, guilty about the lack of time spent with Bella and still haunted by the deaths four years earlier of his wife and son, agrees to look for Allie. What initially appears to be a simple search for a wayward teenager evolves into a byzantine trail of theft, violence, murder, blackmail and politics. Fusilli's themes echo those of his mentors, Raymond Chandler, Ross Macdonald and Robert B. Parker: wealth engenders dishonesty and corruption and, as with the latter two, neglected children. It's not hard to identify the culprits here, though their motives are only slowly revealed. Fusilli is a serious novelist who excels in creating a noirish view of Manhattan and strong characters whose relationships continue to evolve with each book.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
The multi-talented Fusilli, a music critic for The Wall Street Journal and NPR, is just as gifted at creating his own work as he is at dissecting that of others. With Hard, Hard City, Fusilli brings back Terry Orr, last seen in 2003’s Tribeca Blues. Critics praise the nuance with which Fusilli imbues Orr—the character is layered like a human being, not a pulpy gumshoe—and the accuracy with which he captures New York City’s dark underbelly. A few blanch at the plot’s twists and turns, however, believing they skid into B-movie territory. Overall, most strongly recommend Fusilli’s novel to both mystery fans and those who usually eschew the genre. As The Washington Post notes, "If you have fallen into the habit of reading the same favorites over and over—Grisham, Grafton, Sandford, whatever—branch out a bit. Live dangerously!"
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
Contrary to its title, a warm heart beats beneath the wintry surface of the fourth Terry Orr mystery, as one more layer of Orr's hard-boiled exterior melts away in the glowing presence of his precocious daughter, Bella, and her pals; his lover, Julie; his friend Diddio, with the failing Tea Shop; and various other exemplars of the good people of New York. Meanwhile, some scumbags from New Jersey will stop at nothing to recover what was stolen from the safe of a godly man left transfixed on the ironwork three stories below his apartment. Caught in the middle is Allie, a slight teen on the run from callous, warring parents and badly in need of a friend. Orr takes his lumps, exacts revenge, and pops a lot of pain killers, while his roving eye details the big city's frozen bustle, and his mind's eye flashes unbidden on the troubling past. Fans of Michael Connelly and Richard Barre will enjoy this solid, reflective PI yarn, but series newcomers are advised to start with Closing Time (2001) to avoid spoilers. David Wright
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
Orr's world continues in "Hard, Hard City"
By Kevin Tipple
Terry Orr tries to live in the present but the past is never more than a seconds thought away. Not that he doesn't have plenty of reason to live in the here and now thanks to his young teenage daughter, Gabriella whom he calls lovingly Bella, her friends, and other things of interest. But, he still feels the loss of his wife Marina and their young son and while he mourns their loss he also never will really know what his wife Marina truly felt and thought.
He used to write and hasn't in a very long time. He used to work as a detective until after his last case when Bella hid his private investigator license in an attempt to protect him from himself. It has been over a month and he really hasn't done much of anything. That is until a friend of hers, Daniel, asks Terry Orr for his help.
Daniel, describing a situation of a friend of a friend deal asks his help in locating a young student by the name of Allie Powell. Allie took classes at the Fashion Institute of Technology in New York City and hasn't been seen in days. His powerful parents don't seen to know or even care where he is. The Uncle who lives up on the Upper East Side wasn't much help either to Daniel's friend when she went looking for him. Daniel doesn't like the situation at all and thinks it needs to be made clear to the family of the missing student that Allie has friends.
Orr agrees to talk to the Uncle and things quickly get out of hand. Accosted and roughed up repeatedly, Orr works a case that quite clearly no one in the boy's family want him involved with. Beyond the rather strange Uncle and his issues, the parents have an agenda of their own and the welfare of their son seems to be a minor secondary concern. They share their lack of concern over the boy's safety with another group who is looking for him for unknown reasons and don't seem to care who gets hurt in the process. Through it all Orr tries to deal with a current mystery as well as the pain and unresolved questions of his own past.
This fourth novel of the series is a well written and features an interesting multi facetted main character as well as a slew of interesting secondary characters. Relationships matter deeply in the work as does the past. The result is a highly engaging read that could be read as a stand-alone but would definitely be better enjoyed if read in the sequence of the series. The pace of the tale is slow, broken by violent sequences of action at times, and at other times, by digressions regarding past events and motivations. As the story moves forward the real world falls away and the reader becomes enmeshed into this enjoyable and highly entertaining novel.
Kevin R. Tipple © 2005
(real name--way past 13)
0 of 0 people found the following review helpful.
PRIVATE INVESTIGATOR'S PRIVATE PAIN PERSISTS
By crafty lefthander
What happens to a man who finds out his governing obsession for personal justice turns out to misdirected, and he learns that the loss of two loved ones was caused by personal betrayal? Does he gradually return to a normal life? Or does he still feel too jaundiced, too withered, too inadequate, to defeat his inner demons?
For five years, Terry Orr sought to find a mentally ill musical prodigy, believing he was the killer who cost Orr his wife and son, only to learn that his wife, an Italian-born artist, was the impetus for the fatal occurrence, betraying Orr on two levels. In this fourth, and so far, last, of Jim Fusilli's mystery novels featuring the writer-turned-private investigator, Orr searches for a missing teenager at the request of one of his daughter's high school friends. The young boy who has disappeared is a sensitive, scared child with a talent for fashion design, burdened by a white collar criminal for a father, and a deceitful and devious mother. An envelope is missing from a safe, as well as a small amount of money. Somebody wants to recover what was taken from the safe, and desperately. And it isn't about the chump change. There may be something in the envelope too, that might wreck the budding political career of Orr's friend who is thinking of running for Congress.
A caveat here, if I'm allowed to make one. While this can be read as a stand alone novel, it would be wise to read the Orr books in sequential order because these are not just crime novels, they are gripping sagas of a man over a five year period, and the reader will be more fully satisfied if that route is taken.
In investigating the whereabouts of the missing boy, Orr finds himself in a New Jersey suburb where law enforcement is under the thumb of the father. There is an inordinate amount of violence within the story. A kindly and religious man who befriended the youngster is thought to have the goods, and meets an agonizing fate. Orr himself is run off the road once, beaten another time, and winds up in the hospital twice. An ex-con, the one who first injured Orr, somehow survives a shooting and a plunge to the ground, and comes after Orr again.
Orr finds the boy and shelters him with a solid citizen, but is not satisfied with just that. There are a lot of bad actors here, and he seeks justice, determined in the same way as he was when he was seeking to avenge his own tragedy.
All the while, you can see that Terry Orr still agonizes inside himself. He has a girlfriend of sorts, Julie, smart, pretty and family-oriented, but he does not know how to react to her. She tells him she loves him. He stays mute. He can't hold her while she is sleeping. He refuses to meet her family. His daughter Bella becomes close to her, he shrugs it off. Orr does not use Julie as a plaything, he's not cold or cruel, he's just stuck in neutral. Maybe the lady expects too much, for it's only a few months since Orr found out the truth about his wife and son, and it is devastating, and would be to anyone. But she is almost saintlike in her patience.
As with all the Orr books, there is no happy ending. Unfortunately for those of us who have enjoyed the series immensely, Fusilli has not written another novel featuring the character in a decade. Perhaps because the reasons for the death of Orr's wife and baby were revealed, Fusilli could not, or decided not, to move the character forward, concerned he would become repetitious. Then again, the books might not have moved off the shelves fast enough.The genre is so crowded with authors, from the great to the hack, that it sometimes takes a new writer time to find real success. Fusilli's website does not even refer to the Orr books, and he is undoubtedly the best mystery writer not to have a biography on Wikipedia. But, if book sales were based on merit rather than on publicity machines, Hard Hard City, as well as Closing Time, A Well-Kept Secret and Tribeca Blues would have been snapped up the way soda pop sells on a hot day. Fusilli has now written three other novels. Let's hope he is no longer a well-kept secret.
0 of 0 people found the following review helpful.
Dark and Unsettling mystery
By carl brookins
Terry Orr has lost his wife and infant son in a terrible accident. It has thrown his life into seething turmoil that even the best efforts of his precocious daughter Bella, appear to have little positive effect. The genesis of the story comes from Bella, who is one of the more sensitive teenagers you'll encounter in life or in fiction. She asks her father to locate a classmate who has abruptly disappeared.
While slowly working his way through his own internal monsters, Orr roams New York and its satellites in a wide-ranging effort to find a missing Allie Powell, a noticeably talented student at the Fashion Institute. The search brings Orr into contact with a whole host of minor characters, some of who are monsters. Some of them appear and disappear in abrupt and unsettling manner. With almost no exceptions, these minor but important characters are quirky, unusual, memorable, and vital to the story. They propel the action forward, offer rhythmic counterpoints, and when Orr probes far enough to discover all manner of corruption and official malfeasance, some of them turn lethal. Orr then finds himself a target for murder.
In many dark detective novels, the protagonist is mired in such muck and corruption that everyone he or she encounters is guilty of many illegal and morally repugnant acts, and while that's true of any number of the characters in this novel, there are leavening aspects in the sub-plots which not only add balance to the life of this novel and of the characters, but change the rhythms and the light in such a way that every so often we nod and smile and think that the author has got it just right.
Author Fusilli's ear for dialogue, particularly among the teen-agers who have their own agenda and thus their own sub-plot quite apart from their concern for the missing Allie, is quite remarkable. His writing style lends itself to the changes in conversational styles among the characters and his eye for the small detail which brings us smack into the scene is excellent.
In the last analysis, this is a novel about two quite different sets of family relationships and the damage and the nurturing which affect attitudes and outcomes in profound and wonderful ways. Enjoyable, thoughtful and intense, HARD, HARD CITY is a novel to be savored.
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