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Back Story (Spenser), by Robert B. Parker
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In Robert B. Parker's most popular series, an unsolved thirty-year-old-murder draws the victim's daughter out of the shadows for overdue justice-and lures Spenser into his own past, old crimes, and dangerous lives.
- Sales Rank: #147315 in Books
- Brand: PowerbookMedic
- Published on: 2004-03-02
- Released on: 2004-03-02
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .75" w x 4.19" l, .33 pounds
- Binding: Mass Market Paperback
- 304 pages
- Great product!
Amazon.com Review
In this 30th entry in one of mystery fiction's longest-running and best-loved series, Spenser--the tough yet sensitive Boston private eye with no first name--takes on an unsolved murder nearly three decades old. The client, an actress, is a friend of Paul Giacomin, Spenser's surrogate son (who first appeared in 1981's Early Autumn). Her mother was slain by leftist radicals at a bank holdup in 1974, and now she wants to know who fired the shot. As Spenser digs into the past, he soon learns that powerful people on both sides of the law want the case left alone--badly enough to kill.
These death threats provide a fine excuse for Hawk, Spenser's extremely scary (yet sensitive) bad-guy pal, to tag along in nearly every scene as bodyguard. The interaction of the two friends is one of this series's familiar pleasures, as is the presence of Susan Silverman, Spenser's longtime love interest. Another pleasure is Parker's stripped-down prose, a marvel of craftsmanship as smooth as 18-year-old Scotch. (Plus we get the first meeting between Spenser and Jesse Stone, hero of another Parker series.) Alas, the whole enterprise feels a little tired. The plot never generates much sustained suspense, and the author's adoration for his central characters renders them at times almost cartoonesque. Still, Back Story is excellently prepared comfort food, even if it isn't five-star cuisine. --Nicholas H. Allison
From Publishers Weekly
Spenser's respectable 30th outing (he debuted 30 years ago in The Godwulf Manuscript) finds the veteran Boston PI teaming briefly with Jesse Stone, the cop hero of a newer Parker series (Death in Paradise, etc.). The move works because Parker plays it low-key, presenting Stone as just one of many characters who cross Spenser's path as the PI-hired by a friend of his adoptive son, Paul, for the princely sum of six Krispy Kremes-digs into the 28-year-old murder of a woman during a bank robbery; the friend is the slain woman's daughter and wants closure. Before Spenser bumps into Stone, the top cop in Paradise, Mass., he connects the killing to the daughter of big time Boston mobster Sonny Karnofsky, an old foe. When Spenser won't back off, Karnofsky threatens Spenser's girlfriend, Susan, then orders a hit on the PI. Enter as protection longtime sidekick Hawk; other series vets make appearances too on Spenser's behalf, including cops Belsen and Quirk and shooter Vinnie Morris. An interesting new character, a Jewish FBI agent, also helps out. The repartee between Spenser and Hawk is fast and funny; the sentiment between Spenser and Susan and the musings about Spenser's code are only occasionally cloying; and there's a scattering of remarkable action scenes including a tense shootout in Harvard Stadium. Series fans will enjoy this mix of old and new, but the title kind of says it all: this series, probably the finest and most influential PI series since Chandler, could use some forward momentum.
Copyright 2003 Reed Business Information, Inc.
From Library Journal
Spenser's back to help a friend of his prot‚g‚, Paul, track down the men who killed her mother years ago in a holdup.
Copyright 2002 Reed Business Information, Inc.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Parker's Back
By A Customer
Parker has really made an effort here, and it shows. Recent books were getting thinner and more off-hand, and the last in the Spenser series, "Widow's Walk" read like Parker wrote it while he was watching a ball game. But in "Back Story," Parker has done it for us again. It's not the "Godwulf Manuscript" and it's certainly not "Looking for Rachel Wallace," but it has depth and heft, and a fresh plot that involves us in some very satisfying intricacy as it works itself out. Spenser shows more of himself, and our understanding of him deepens. Here it isn't an appealing client needing real help that is the reason he keeps going; it is his own choice to finish what he started, even at considerable cost. He is "peerless," as Susan Silverman says, a man of integrity, humanity and power, whose choices, like this one, come always from a place of honor. And he still is as funny as he always was, with the same discerning eye, seeing everyone, from aging hippies to aging mobsters, right through any pretension or fascade, seeing the good in the bad guys and the bad in the good guys, seeing things as they are.
There are signs here that Parker is making some acknowledgement to the fact that if Spenser fought in Korea, he can't really be 42 years old anymore. Now he does weightlifting for repetition, rather than for weight, he does measured runs, with walk breaks, on Harvard's track, rather than pounding for miles along the Charles River. He decides to have one English muffin because the second one he wants isn't good for him. The women he says look pretty good are in their fifties, and both he and Hawk say sadly "Too young" when teenagers walk by in bikinis. But may I suggest here that a "willing suspension of disbelief" is more than appropriate. We may all be aging, but Spenser doesn't really have to, unless we insist on it. Rex Stout's Archie Goodwin would have been in a wheelchair in real time during many of his most useful flirtations. Nero Wolfe himself would have been about 112 years old when he solved his last cases. Sherlock Holmes could not actually have dealt both with Victorian hounds and the Norden Bombsite in the same adult lifetime. I think that, along with Parker, we should make no more than a gentle reference to Spenser's age, and then leave it alone. If we lean on it too much, Spenser may retire, and I, for one, am not ready.
In "Back Story" Parker brings down barriers between story lines, and even across series. It is very appealing to have two heavy-weight thugs who tried to kill Spenser in "Pastime" sitting on the steps of Susan's classy house to guard her. And Parker has Spenser work with Jesse Stone in this one, so we get to see Jesse through Spenser's eyes. I'd very much like to know how Spenser looks to Jesse. And, hey, Sunny works in Boston. There are all sorts of possibilities.
1 of 2 people found the following review helpful.
Mother Hunt
By Marc Ruby™
When an author has been writing a series through 29 volumes, there is always the possibility of the stories taking on a 'cookie cutter' similarity. To some degree, this is unavoidable, since a series requires a certain predictability in its characters and type of plot. Robert Parker's Spenser novels are no exception to this rule, but Parker is one of those writers who can usually find a new twist, even in an old pattern. 'Back Story' is a grand example of Parker's story telling skills, still fresh after all these years.
A friend of Spenser's 'nearly' adopted son, Paul Giacomin, Daryl Gordon, draws Spencer into the thirty-year-old murder of her mother . The killing occurred in the middle of a bank robbery, committed by the Dread Scott Brigade, a 70's revolutionary group. There were no witnesses, and no one was ever caught. For Paul's sake, Spenser reopens the case and discovers a web of subterfuge surrounding the investigation. FBI reports have been squelched, all the characters seem to have unexpected links to each other, and finally, Spenser's own life is threatened.
Into this chaos steps Hawk, Spencer's long time friend and co-perpetrator. These two are one of mystery's original black/white partnerships, and one of the hallmarks of Parker's style is the politically incorrect, whiplash banter that takes place between the two. They make fun of their own stereotypes (and ours) while scaring their suspects witless.
Spencer's other partner is his very significant other, Susan, who does not participate in the investigations but is often all that keeps Spenser on this side of sanity. She adds wit, insight and an unselfconscious sexuality to what otherwise might be a grim story of tawdry revenge.
The story, while not particularly complex, takes some surprising twists. There is a high violence content, not unusual for Spencer and Hawk, but Parker always manages to use violence without making it into an end in itself. What is unusual this time is Spencer's own introspection at the brutal aspect of his nature. Feeling his own maturity, he begins to wonder what he is really looking for. Susan, the psychologist, has answers, and the pair seem to grow before the reader's eyes.
Thoroughly modern, 'Back Story' reads like vintage Parker - a swiftly moving plot, snappy dialogue, and respectable characters. Even if you have skipped the last few, I think you will find this one worth reading. Newcomers need have no fear. The relationship between the characters becomes clear quickly, and the story does not depend on any of the 29 previous novels.
3 of 4 people found the following review helpful.
Back on track
By A Customer
BACK STORY puts us back in the familiar groove that I believe Parker slipped out of with the inferior WIDOW'S WALK and POTSHOT. The story is original, the wisecracks are genuinely funny and not tiresomely "cute," the characters are true-to-form without being predictable. In short, I loved it!
The characters have taken on lives of their own, and their interplay adds texture to the story. I loved Spenser's discomfort with Darryl's cautious reaction to Pearl. And I especially enjoyed Hawk's observation about Susan/Spenser conversation: he points out that first one of them says something cryptic, then the other one simply agrees. So true!
Spenser gets very introspective about his chosen line of work. I wonder if that, combined with the introduction of Jesse Stone, means that Spenser might be preparing us for his retirement. And maybe it's time. While I admit I loved this book, I can't shake the knowledge that these characters are getting long in the tooth chronologically. Spenser served in Korea and quit smoking 40 years ago. That would put him in his 60s. Since he boxed professionally alongside Hawk, Hawk must be in that same range, yet women of all ages keep throwing themselves at him. And Susan, so beautiful and firm of flesh, can't be much behind them. Is the Charles River really the fountain of youth? Sorry, but credibility is strained. (A small criticism of an otherwise great read.)
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