Selasa, 25 Februari 2014

~ Ebook Dance with Demons: The Life of Jerome Robbins, by Greg Lawrence

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Dance with Demons: The Life of Jerome Robbins, by Greg Lawrence

Despite becoming established as one of the century's greatest choreographic masters, in 1998, Jerome Robbins died a haunted man. All his life, he was tortured by private demons: his conflicting feelings about his sexuality and his religion; his bitter relationship with his parents; his scandalous betrayals during the McCarthy hearings; and a sadistic but genius drive for perfection. Now, this groundbreaking biography, based on hundreds of interviews with friends, family and colleagues, provides the first complete portrait of the man and the artist - a harrowing, heartbreaking and triumphant work as complicated and fascinating as the man himself.

  • Sales Rank: #3034170 in Books
  • Published on: 2002-04-02
  • Released on: 2002-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.08" h x 1.39" w x 6.08" l,
  • Binding: Mass Market Paperback
  • 640 pages

From Publishers Weekly
Choreographic and theatrical genius Jerome Robbins was born in 1918 in New York City into a materially comfortable but emotionally bleak Jewish immigrant family in New York City. Lawrence (who coauthored Gelsey Kirkland's Dancing on My Grave) points to this emotionally bereft childhood and paternal disapproval ("My son's a fag how can I talk to him?" was reportedly his father's attitude), as well as Robbins's struggles with his Jewish heritage, his sexuality and, most famously, his decision to name names before the House Committee on Un-American Activities in the 1950s, as the definitive aspects of Robbins's life and creative legacy. The sum total of Robbins's work as reported here is staggering; his decades at the heart of the golden ages of American ballet, musical theater, theater and film, as director or choreographer, often in collaboration with such giants as Leonard Bernstein and George Balanchine, left the American public a cultural gold mine. Lawrence interviewed hundreds of dancers, actors, directors, family members and other contemporaries all, whether they loved or hated him, recognized both Robbins's genius and his clearly tortured soul. Most of the remarks herein tell us far more about the speaker than about the subject, but as such, they form an indelible picture of the various eras during which Robbins worked (he was active almost until his death in 1998). Robbins himself made numerous attempts over the years to write his own autobiography, only to abandon them repeatedly when the emotional cost became too great. In the end, Lawrence's account, though comprehensive and lively, can only give us a solid picture of Robbins's times and contemporaries the man himself remains a mystery. Illus. not seen by PW. (May)Forecast: Readers in New York, the center of the ballet and theater worlds, will grab this much-touted book. First serial in Vanity Fair; forthcoming reviews in the New York Times by Janet Maslin, the New Republic, the Washington Post Book Review and Variety; an interview in New York Blade; and a May 1 spot on NPR's new show, Studio 360, will bring lots of attention.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Lawrence (coauthor with Gelsey Kirkland of Dancing on My Grave) tells the life story of legendary American choreographer Jerome Robbins from many different perspectives. Robbins is known for choreographing major Broadway musicals like West Side Story and The King and I and also many ballets. This biography is dominated by quotes from a variety of sources, including critics, dancers, family, and Robbins himself. Rita Moreno of West Side Story is quoted as saying, "What he did that was so unusual [was] that he choreographed for character. He choreographed the way a writer writes." Robbins's demons of the title include problems with his family, his sexual orientation, and his testimony to the House Committee on Un-American Activities (HUAC). The most interesting sections of this hefty tome concern his choreography and its creation, his collaboration with Leonard Bernstein and George Balanchine, and the artistic process. This first full-length biography of this important choreographer is recommended for all libraries. (Photos and index not seen.) Conrad's photographic biography is a good companion to Lawrence's work. Conrad, a screenwriter and longtime friend of Robbins, has combined photographs of Robbins's childhood, insider looks at rehearsals, and lovely photos of performances of his choreography with excerpts from his journals and brief biographical narrative. The result is a heartfelt tribute to a man she clearly loved who contributed much to his art. Recommended for public libraries with broad interest in dance. Barbara Kundanis, Batavia P.L., IL
Copyright 2001 Reed Business Information, Inc.

From Booklist
American choreographer and director Jerome Robbins was cruel, controlling, given to sudden, childish temper tantrums, willing to do anything to get what he wanted out of his dancers and actors. But what he got was often brilliant. The list of Broadway shows he had a hand in is a roster of classics--The King and I, West Side Story, Gypsy, Fiddler on the Roof--and he was also a respected ballet master for the American Ballet Theatre and the New York City Ballet. Lawrence's thick yet graceful biography shows us Robbins the difficult boss and the sensitive artist, the inspired director and the not always very good friend. As the title implies, part of the book discusses Robbins' paranoia, his ambivalent relationship with his father, and his fruitless attempts to psychoanalyze away homosexual feelings. Especially fascinating is the coverage of Robbins' tepid involvement in left-wing causes in the '30s and '40s and his subsequent, all-but-forgotten testimony before HUAC, in which he named names and destroyed careers, perhaps, Lawrence argues, to save his own. Jack Helbig
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

9 of 9 people found the following review helpful.
A real page-turner!
By Adrienne Fischier
Jerome Robbins was an extremely complex and difficult man -- and a genius. His choreography was more highly rated than Balanchine's in France, for instance. In this very well written book the reader is able to go inside the worlds of ballet and musical theater through endless but never boring details. "West Side Story" is Robbins's most famous work; he won two Oscars for the movie, but had been fired from the production! Marvelous insights into the personalities and talents of a generation of theatrical wizards in New York, particularly in the '50s. You don't have to be a ballet fan to enjoy this book.

11 of 14 people found the following review helpful.
Thorough, gossipy, undefinitive -- maybe unnecessary
By A Customer
Despite, or because of, its inclusion of hundreds of interviews, much of Greg Lawrence's biography amounts to uncorroborated hearsay. Given the backbiting and jealous atmosphere of the theatre world, a more rigorous biographer would have carefully weighed and vetted the reliability of the sources. Lawrence apparently was not given access to Robbins' own papers and therefore the man himself is decidedly absent from these pages, as has been pointed out by reviews in The Wall Street Journal, The New Yorker, and elsewehere. It's gossipy and full of facts and opinions, but curiously empty.
Another customer reviewer here compares Lawrence's book with Christine Conrad's compendium of photographs and Robbins quotes (Jerome Robbins,That Broadway Man, That Ballet Man), to Lawrence's benefit. Seems to me you get a stronger sense of Robbins the man AND the artist from Conrad's book, even though it doesn't pretend to be a biography.
I've read that two other full-scale biographies are in the works whose authors have been allowed to see Robbins's archives; hopefully they will provide a deeper and more balanced view of the man. If anyone still cares.

2 of 2 people found the following review helpful.
Candid Life of a Driven Genius
By Timothy Hallinan
Jerome Robbins was a monster to many throughout his career. He was imperious, quick to take offense, both personally and politically treacherous (he turned on friends and lovers as easily as he turned on those whose left-wing sentiments he had once shared, naming names freely when he was called before the House Unamerican Activities Committee). But he was a brilliant choreographer and director; he introduced a modern-day American vernacular into ballet with "Fancy Free" and went on to create, direct, and/or choreograph such Broadway classics as "On the Town," "Peter Pan," "The King And I," The Pajama Game," "Bells Are Ringing", "West Side Story," "Gypsy." and "Fiddler on the Roof," among many others. He imposed a reign of terror on his productions, often (like David Merrick) playing creative principals off against each other, he hogged billing and created whole new ways of being credited (the "name in a box" thing was his idea), and generally left a trail of bodies wherever he went. In the case of "West Side Story" he re-orchestrated Leonard Bernstein's score while Bernstein removed himself to a bar and got quietly drunk -- and Bernstein was no shrinking violet. But people fought to work with him on virtually every project because he had the golden touch: in addition to the shows listed above, he transformed out-of-town dogs into hits, including "A Funny Thing Happened on the Way to the Forum" and "Funny Girl." He was bisexual although he leaned toward homosexual, and the book is very good about his relationships, many of which ended in ruins; the one that endured, in off-again, on-again form for decades was with Montgomery Clift. One of the things I like best about this book is that Greg Lawrence neither demonizes nor whitewashes his subject, seeking instead to understand him. And I have to say that in the end we understand Robbins' bad behavior much more clearly than we understand where his astonishing talent came from.

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Senin, 24 Februari 2014

# Ebook Cold Target, by Patricia Potter

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Cold Target, by Patricia Potter

In the dead of night, Holly Matthews-the wife of a New Orleans Senator-takes her son and flees for her life.

At her mother's deathbed, lawyer Meredith Rawson learns that she has a sister-and promises to find her.

Two women linked in a conspiracy of lies that could shatter their lives-- and their dreams of love.

  • Sales Rank: #2375316 in Books
  • Published on: 2004-01-06
  • Released on: 2004-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.70" h x 1.20" w x 4.34" l,
  • Binding: Mass Market Paperback
  • 426 pages

From Booklist
When Holly realizes that the man she has just killed--the one sent to murder her--was hired by her husband, Randolph, she grabs her small son and flees New Orleans. But it's not easy to hide from someone as politically powerful as Randolph, and it takes every bit of Holly's resourcefulness to find a safe haven in Bisbee, Arizona, where she gets involved with the sheriff. Meanwhile, Meredith learns from her dying mother that she has a half-sister, but little does she know that by searching for her, she puts her life--and those of others--in danger. And New Orleans detective Gage Gaynor is getting too close to the truth, and to Meredith, whom he has sworn to protect. Conspiracies, lies, and corruption abound as Potter takes her characters through a landscape fraught with danger. A versatile and top-notch writer, Potter, the author of Twisted Shadows (2002) and Dancing with a Rogue [BKL Jl 03], among many others, proves once again that she is a master of romantic suspense. Shelley Mosley
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
good story
By Gramieto10
This was a somewhat predictable love story, but there were some twists and turns to the mystery aspect. It kept my attention and I wanted to be sure how it ended. I would recommend this for an easy read.

0 of 0 people found the following review helpful.
Did not want to put down
By Detective Girl
Enjoyed the story and the characters she created. Did not want to put down, that's how I judge a good read. I will pick up another book written by this author

0 of 0 people found the following review helpful.
Very Good Summer Read
By Dena Saslaw Schwartz
I liked the story and as a stand alone book, it was very good, but I have found the overall lines of the Potter stories follow a pattern.

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@ Free Ebook Alma Hitchcock: The Woman Behind The Man, by Pat Hitchcock O'Connell, Laurent Bouzereau

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Alma Hitchcock: The Woman Behind The Man, by Pat Hitchcock O'Connell, Laurent Bouzereau

Alfred Hitchcock's films are a testament to his autonomy-but there was one person whose ideas and advice he valued above all others: his wife, Alma.

Who was the woman behind the most famous film director in the world?

Pat Hitchcock O'Connell offers rare insight into the life and career of her mother and father, and finally reveals Alma's extraordinary contribution to the Hitchcock legacy. Filled with fascinating personal anecdotes, Alma Hitchcock is also Pat Hitchcock's story-that of a young girl growing up in Hollywood, and her own on-set experiences in such films as Psycho and Strangers on a Train. With behind-the-scenes stories, moving testimonies from friends and family, and never-before-seen personal photos from the Hitchcock family album-as well as some of her mother's favorite recipes-Pat Hitchcock O'Connell illuminates the lives and careers of her parents as only a daughter could.

  • Sales Rank: #1858942 in Books
  • Published on: 2003-05-06
  • Released on: 2003-05-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.58" h x 1.09" w x 5.46" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

From Publishers Weekly
All Alfred Hitchcock needed to produce his psychological thrillers was the love of a good woman, according to this pleasant but superficial memoir of the famed director and his wife, by their daughter. O'Connell traces her mother's life from her early career as a film editor, scenarist and silent-movie actress to her ongoing collaboration on the scripting, casting and direction of her husband's movies. She structures her narrative around a breezy filmography of her father's movies, notes the development of Hitchcock trademarks like the "MacGuffin," and regales readers with Hollywood anecdotes (Carole Lombard once brought cows onto the set after Hitchcock likened actors to cattle) and homespun reminiscences of her avowedly normal childhood. O'Connell is at pains to highlight her mother's every contribution to her father's oeuvre, and produces many quite lengthy testimonials from relatives, actors, friends, long-term care providers and Hitchcock himself to vouch for her warm personality, impeccable manners, superb cooking, gracious hostessing and influence on Hitchcock's creative process. Alma does seem like a lovely and highly intelligent woman, but despite her daughter's best efforts she is overshadowed by her husband, whose quirks and achievements make him the more vivid character even in the unrevealing and protective portrait of him sketched in the book. O'Connell's account of Alma's life is sometimes touching, like a breezy tour through a family album, but its public significance for all but the most obsessive Hitchcock fans remains elusive. Photos.
Copyright 2003 Reed Business Information, Inc.

From Booklist
So much has been written about Alfred Hitchcock that no aspect of his career hasn't been explored. Some remain underexplored, however, such as the role that his wife of 54 years played in his career. Starting out as a 16-year-old film editor, Alma Hitchcock began her movie career before Alfred began his. She contributed significantly to his films at every stage of production and received screenplay credit for several of his classics. The couple's daughter Pat, who has small on-screen roles in several of her father's films, recounts the making of the Hitchcock oeuvre, but the personal anecdotes she tells--stories of her parents' vacations and friendships, examples of her father's notorious practical jokes--will most delight Hitchcockians, few of whom, however, will go so far as to try out the recipes with which she concludes the book. She can be accused of overstating her mother's cinematic importance, but readers will likely wind up agreeing with critic Charles Champlin, who wrote, "The Hitchcock touch had four hands, and two were Alma's." Gordon Flagg
Copyright © American Library Association. All rights reserved

About the Author
Pat Hitchcock O'Connell is the only child of Alfred and Alma Hitchcock. Her credits as an actress include Psycho, Strangers on a Train, and Stage Fright. She has also appeared in several episodes of the television series Alfred Hitchcock Presents.

Laurent Bouzereau is an author and documentary filmmaker.

Most helpful customer reviews

17 of 23 people found the following review helpful.
a worthwhile addition, but nothing special
By Bryant Burnette
In skmming through the other customer reveiews for this book, it seems that they split between the typically gushing five-star reviews and the typicallly dismissive one-star reviews that are the bane of this website. Folks in both camps... please learn how to be sensible. You're not helping anybody by being shutter-eyed.

That said, maybe this review will provide some actual perspective on the book. Pat Hitchcock O'Connell's aims with her memoir are to chronicle her mother's contributions not only to Alfred Hitchcock's films, but to the emerging medium of film itself.

Is she successful in these aims? Well, not, not really. The book is not insightful enough to become truly noteworthy; too many of the passages are merely reflections, as opposed to examinations. But neither does she totally fail. After reaing the book, it is impossible to not feel as though Alma was, indeed, a tremendous part of what we now think of as the Hitchcock legacy. We may not find out as much about her contributions as we would like, but this book does seem once and for all the establish Alma as a vital element in Alfred's films.

Another problem: the book is way too breezy. When the making of a seminal masterpiece like "Rear Window" is covered in a mere page or two, something has gone wrong. I suspect that much of this is due to O'Connel's lack of any real knowledge of what went on collaboratively between alma and Alfred.

This breeziness is also something of a virtue, as well. It makes a relatively swift journey from the beginning of the Hitchcocks' careers through to their deaths, and that approach may not be terribly detailed, but it is easy to digest, in the same way that a suite from a musical is easy to digest when compared to the whole score. It cannot, and never should be, a replacement for the whole score; but it's satisfying enough in and of itself.

I also rather enjoyed the section in which many of Alma's recipes and dinner menus are reprinted. This may actually be the book's most significant contribution to the Hitchcock mythos, as it provides a peek into the inner workings of the family that no other writer has yet offered. I can't make much of an analysis of the recipes, since I am anything but a good cook; but they made me hungry as I read through them, and seemed sufficiently challenging to a culinary doofus like myself to make them seem to be genuinely good recipes.

Final thoughts: if you're a serious Hitchcock fan, then this book ought to be on your shelf. Don't expect any sort of a masterpiece, but it is certainly well worth reading.

4 of 10 people found the following review helpful.
Save your money
By Cathesper
As a great Hitchcock fan, I really looked forward to this book. However, it reads like a high school freshman's term paper and the only really interesting thing you learn about Alma is that she was petite. If you want a list of all his movies by date, release date, foreign distribution date, etc., etc., then you'll enjoy this. I would have rather spent my time reading a calendar.

11 of 12 people found the following review helpful.
There's No Substitute for Writing Skills
By Kathleen Chamberlain
I feel bad saying anything critical about this book, since it's obviously written with love and care. But. . .it's also a testament to an important truth: even if you have a fascinating family, even if you have good stories to tell about them, even if you have an interesting (though not fully convincing) premise -- it's all for naught if you can't write. And Ms. O'Connell, bless her, really cannot. There are so many significant grammar errors, disorganized and under-developed paragraphs, confusing transitions, and badly-identified quotations that at times I simply could not follow the text. Even when the meaning was clear, the errors were such a distraction that I couldn't finish.

And why do so few of the photos have captions? It would be helpful to have some names, dates, places, contexts.

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Sabtu, 22 Februari 2014

~ Free PDF Tom Clancy's Splinter Cell, by David Michaels

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Tom Clancy's Splinter Cell, by David Michaels



Tom Clancy's Splinter Cell, by David Michaels

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Tom Clancy's Splinter Cell, by David Michaels

In response to the growing use of sophisticated digital encryption to conceal potential threats to the United States, the National Security Agency has ushered forth the new dawn of intelligence-gathering techniques. The top-secret initiative is dubbed Third Echelon.

Its existence denied by the U.S. government, Third Echelon deploys a lone field operative. He is sharp, nearly invisible, and deadly. And he has the right to spy, steal, destroy, and assassinate to protect American freedoms.

His name is Sam Fisher. He is a Splinter Cell®.

  • Sales Rank: #182200 in Books
  • Brand: Berkley
  • Published on: 2004-12-07
  • Released on: 2004-12-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .88" w x 4.25" l, .39 pounds
  • Binding: Paperback
  • 355 pages
Features
  • Great product!

Excerpt. © Reprinted by permission. All rights reserved.
1

It’s like being in a state of nonexistence. A vacuum. Darkness and light at the same time, and no sense of gravity. There’s no air, but I know I’m breathing. Certainly no sounds are present. I see and feel nothing. There are no dreams.

That’s what sleep is like for me. I’m blessed, I suppose. I can will myself to sleep anywhere, anytime. I didn’t train to do it. It’s always been that way, ever since I was a kid. I simply tell myself, “It’s time to sleep now.” And I do it. I’m sure a lot of people in the world would envy this talent. I don’t take it for granted because in my business I have to catch sleep in the strangest places and at the oddest times.

I feel the pulsating pressure on my wrist. It gently pulls me out of this dimensionless world, and I slowly regain the use of my senses. I feel the warm metal against my face. I hear far-off nondescript echoes.

The OPSAT attached to my wrist continues to wake me. There’s a little T-shaped rod that protrudes from the flexible band when the silent “alarm” goes off. The rod rocks back and forth, nudging my pulse, telling my body that it’s time to rouse. When I first saw it demonstrated, it reminded me of a James Coburn spy movie from the sixties in which he played a secret agent who could stop his heart on command. This apparently put him in some kind of hibernation. He had a wristwatch with the same kind of T-shaped rod that poked him until he woke up. I remember laughing in the movie theater when I saw that. It was too ridiculous to take seriously. Now look at me.

I take a few deep breaths. The air is stale and dry inside the ventilation shaft where I spent the last six hours. I flex my hands to get the blood circulating once again. I stretch my feet, even though they’re enclosed snugly in my boots.

Then I open my eyes.

There’s no more light in the shaft than there was when I first climbed into it.

The OPSAT finishes its duty and the little T-shaped rod retracts. I bring my left hand to my face and press the button to illuminate the OPSAT’s screen. There are no new messages from Lambert. No incoming e-mail. All’s quiet in the world. The OPSAT is a handy little device that Third Echelon dreamed up for its agents. It’s really called an Operational Satellite Uplink. Primarily a tool for communication, it has many other uses as well. I particularly like the camera capabilities that allow me to snap digital pics of anything I want.

I’m suddenly aware of how hot it is and I remember where I am. The ventilation shaft of the Tropical Casino in Macau. I’m lying horizontally in a space slightly smaller than a phone booth. It’s a good thing I’m not claustrophobic or I’d be a basket case by now. Since I had to wait for the right time to make my move, I set the alarm to wake me at four in the morning. I figured that’s when activity inside the casino would be at its most muted. It’s a twenty-four–hour joint, so there’s always going to be someone here.

I’m sweating like a pig inside my custom-made uniform. I forgot to adjust the temperature control before going to sleep. I quickly turn the knob at my belt to make it cooler. Immediately I can feel the cold water flowing through the vessels embedded within the uniform’s lining. The military calls it an “Objective Force Warrior” uniform. It’s like an astronaut’s suit, only sleeker and tighter. I can make it cold or hot, depending on what kind of environment I’m in. It’s made of a heavy material with Kevlar sewn into it, yet it’s flexible enough for me to perform any gymnastic feat I wish to attempt. I wouldn’t call it bulletproof, but it’s close. The tough outer hide feels like elephant skin to the touch, and it goes a long way toward deflecting stuff. I suppose if I were shot at point blank I’d be dead, but bullets fired from a range of fifteen feet or more might penetrate the suit but not me. The Kevlar acts as a braking mechanism. Pretty cool stuff. Another interesting feature is that it’s got photosensitive threading that reacts when a targeting laser strikes the material. The suit sends a signal to my OPSAT, alerting me that I’m in a sniper’s gun sight.

My only beef with the uniform is that it’s so tight fitting and neat that it makes me look like a comic book superhero. Even my special headpiece looks like a mask when I have the goggles down.

I pull the straw from the tube in the collar and suck refreshing cold water from the supply stored in the bladders distributed evenly throughout the suit. There’s enough water in there to last twelve hours as long as I use it sparingly. It’s an odd concept, but I have to “fill up my uniform” every so often.

Time for a little energy. I raise my body enough so I can reach into the Osprey strapped to my back and pull out a ration. The food in those things tastes a lot like the MREs the army gets, so there’s a variety of stuff—from Cajun-style rice and beans to spaghetti to grilled chicken breast. Maybe some of that stuff is actually in the recipes. The one I happen to pick resembles trail mix. As I munch on the delicacy, I recall how I got here and what the hell I’m supposed to be doing.

I had entered the casino during the early evening, just as the big crowds were beginning to populate the place. I wore street clothes and figured I’d be less noticeable when a lot of people were here. Casinos in Macau are different from other ones around the world. The Chinese take their gambling very seriously. There’s never any shouting of “Jackpot,” much less any hint of smiles from these people. They look as if they’d just as soon shoot you as deal you a card. It’s par for the course, I guess. Triads hang out in Macau casinos, and I’ve never seen a cheerful Triad. Given the fact that since 1999 Macau was no longer a Portuguese colony and was now one of the Special Administrative Regions of China, I could imagine that the inhabitants were not very happy. Like Hong Kong, Macau was now part of Communist China, even though the Chinese government promised that things would remain relatively the same for the next fifty years. It was still unclear what the colony’s underworld was doing about the hand-over. During the twentieth century, Macau had developed a reputation as a hotbed of spies, vice, and intrigue.

I played a few games, lost a little money, gained some of it back, and then went to the washroom across from the broom closet I needed. I had memorized the building plans before the mission commenced. I could make my way around the casino blindfolded if I had to.

I slipped out of the washroom when I sensed no one was in the hallway and moved to the broom closet door. I had to use a lock pick to open it. Luckily, it wasn’t a high-tech lock. After all, it really was just a broom closet.

Once I was inside, I locked the door and proceeded to remove the street clothes, revealing my funky superhero uniform underneath. I folded the clothes and tucked them neatly in the Osprey backpack. I donned the headpiece and was set to go. The change from Clark Kent to Superman had taken me about forty seconds.

I climbed a tool shelf to reach the ventilation shaft opening, gently pried off the grill cover, and hung it on a nail on the wall. I tested the strength of the structure to make sure it would hold my weight and then pulled myself in. I could just barely turn myself around to reach out, grab the grill cover, and fasten it back on the shaft from the inside. I did another about-face and crawled silently through the shaft until I came to a spot that was sufficient for a nap. And here I am.

I finish my meal and eat the digestible wrapper so I won’t leave any trace of my being here. I doubt anyone is going to look inside the ventilation shaft, but one never knows.Time to act.

I crawl farther along the shaft, make the left turn I know is coming, go about twenty yards, hook a right, and then shimmy down a vertical drop for ten feet. On the next level the shaft goes in three directions. I tap the OPSAT for the compass mode just to confirm that the tunnel on my left is the westerly direction, and then I crawl that way. One more right turn and I can see the grill at the end of the shaft. The casino president’s office.

I peer through the grill to make sure the office is dark and uninhabited. I carefully push the grill off but hold on to it. I don’t want a loud clang when I drop it. I worm my upper body out of the shaft and gently place the grill behind a sofa directly beneath me. I then clutch the bottom of the shaft opening, roll my lower back and hips out, and somersault onto the carpeted floor. So far, so good.

I push the goggles over my eyes and switch on the night-vision mode. No need to turn on any lights and attract attention. Being quiet and invisible are the two main rules in my profession. Get the job done without being seen or noticed. If I’m caught, the U.S. government will deny any knowledge of my existence. I’d be on my own, in the hands of a foreign agency with no legal recourse or means of escape except with what I can manage to achieve with my body and mind. It’s a test I don’t particularly want to take, even though I’ve studied for it for years. There are always trick questions in that kind of test.

I go straight for the computer on the president’s expansive mahogany desk, power it up, and tap my fingers impatiently while I wait for the system to load. When it asks for the password, I type in the one that Carly assured me would work—and sure enough, it does. Carly St. John is a wizard when it comes to technical shit. She can hack into any system, anywhere. And she can do it from her desk in Washington, D.C.

Using the Search function, I quickly find the folders I want. They contain files of payoff records to various organizations and individuals. I have to make sure these are separate from the legitimate casino expenses, and Carly has briefed me on how to tell the difference. Once again, the telltale flags she mentioned are there, so I know I’m in the right place.

I unzip the pouch on my left leg calf and remove a link that I insert into the computer’s floppy drive. The other end I plug into my OPSAT. A touch of a few buttons and voilà—the files begin to copy onto my portable device. It takes only a minute or so.

As the OPSAT does its work, I think about Dan Lee, the Third Echelon man who was murdered in this casino three months ago. He was tracking illegal arms sales in China, and the trail led him here to Macau. The Shop, of course, are the guys doing the dealing. Before he was killed, Lee had given Lambert proof that the Tropical Casino’s accounting department was being used as a front for the illegal transactions. Shutting down the Shop is one of our primary directives, and the only way to do it is to work from the outer ends of the pipelines back to the source. And there are lots of pipelines, all over the globe. Uncovering them is only half the battle. Now, with these files listing the Shop’s customers in our possession, other U.S. agencies can act on closing this particular pipeline.

We still don’t know exactly what happened to Dan Lee. A Chinese recruit, Lee had worked for the NSA for something like seven years. I never knew him personally—we never meet the other agents in Third Echelon—but I understand he was a stand-up guy. He did his job well and was a good man. Lambert thought that someone in the Shop had learned of his identity and lured him to the casino with information as bait. Lee never left the casino.

The OPSAT finishes the transfer just as I hear noise in the hallway outside. Shit. I pull the link out of the computer. Keys rattle in the door and I hear a voice followed by a laugh. There are two of them. I have no time to shut down the computer, but I hit the monitor’s Off button.

I leap away from the desk and eye the distance to the ventilation shaft. The key turns in the lock. There’s no time for that route. I scamper up a set of filing cabinets and press myself into the corner, my head against the ceiling. It’s a difficult position to hold. I have to use my knee against the top of the filing cabinets to leverage myself while at the same time pushing with my arms on the two walls to anchor my body. It isn’t comfortable. Just as I settle myself, the door opens. Maybe they won’t notice me since I’m some four or five feet above their heads.

I recognize the first guy, the one with the keys. It’s Kim Wei Lo, probably the mastermind behind the Shop’s operation in Macau. He’s on the wanted lists for all the three-letter agencies—you know, the CIA, the FBI, the NSA . . . When the other guy turns slightly, I make him, too. He’s Chen Wong, Lo’s bodyguard. Wong is a big guy, but I’ve seen bigger. If it came down to a face-off, I’m pretty sure I could take him.

Lo hits one of the two light switches on the wall by the door. The fluorescents directly over the desk blink on. Thank God he didn’t switch on the other one. My side of the room would’ve been showered with illumination. At least I’m still in the shadows. If they look up and focus on the back wall, corner and ceiling, they’ll see me hanging there like a spider.

The two men go to the desk and Lo says something in Chinese. I catch the word “computer,” so I figure he’s wondering why someone didn’t shut it down for the night. It doesn’t bother him too much, though. He sits at the desk and begins to work while Wong paces slowly behind him, gazing out the large glass window that overlooks the main drag cutting through this poor excuse for a city. An urban area is a more appropriate term. As it’s the middle of the night, there isn’t much traffic or neon lights. I hope something will mesmerize him enough that he’ll keep his back to me while I wait this out.

As a precaution, though, I mentally practice drawing my Five-seveN from where I am, but, ultimately, I don’t think it’s possible without falling to the floor. I have a directive not to kill anyone if I don’t have to. Unfortunately, I’ve had to disobey that directive on numerous occasions. I don’t like doing it, but sometimes you gotta do what you gotta do.

It’s hot in the room. They must shut off the AC at night. Or maybe it’s a ruse to get gamblers to buy more drinks. I’m dying to adjust the temperature in my uniform, but I don’t dare move. I can feel the sweat building underneath my headpiece, and it’s starting to trickle down my face.

Shit. Wong turns and walks aimlessly around the desk and heads my way. He’s drawn his own pistol—it looks like a Smith & Wesson .38 from here—and he’s twirling it in his hand, Western-style. He does an abrupt turn and faces a bookshelf. As he continues to twirl the gun, Wong scans the titles of the books. I guess the guy really can read.

Lo says something and Wong grunts in reply. He doesn’t walk back to the desk, though, damn it. Instead, he moves away from the books and starts ambling toward the filing cabinets. All he has to do is glance up and he’ll see me for sure. The carpet must be awfully interesting, though, because he’s keeping his head down. It’s as if he’s watching his feet as he walks.

Oh, for Christ’s sake, he’s standing right beneath me now. Most of my body is above the filing cabinet, but my head and shoulders extend away from the wall, flat against the ceiling. Just don’t look up, you bastard.

I feel a bead of sweat run down the bridge of my nose. Aw, fuck. I can’t wipe it. I can’t even move. That little drop of salt water builds up on the very tip of my nose, threatening to fall right on Wong’s head. My breathing stops. Time stands still.

And then the drop of sweat falls and hits his square, crew-cut head. He notices it, too. He reaches up, feels the moisture, and slowly arches his head back to look at the ceiling.

I shove off the walls and pile-drive the man to the floor. He drops his Smith & Wesson along the way. For hand-to-hand combat, I exclusively use Krav Maga, an Israeli technique that literally means “contact combat.” It’s not so much a self-defense martial art as it is a no-holds-barred system for survival in any situation. It combines elements of Eastern disciplines, such as karate, judo, and kung fu, with basic boxing and down-and-dirty maneuvers. It’s taught and used by the Israel Defense Forces, the Israeli National and Military Police, and other anti-terror/special forces in Israel. Since its development by Imi Lichtenfeld after World War II, Krav Maga has emigrated all over the world and is now widely taught alongside other martial arts. Krav Maga isn’t a competitive sport—it’s a fight for your life. The whole idea is not only to defend yourself but also to do as much damage as possible to your opponent as quickly as you can.

So with Wong on the floor beneath me, I ram my forehead, goggles and all, into his face as hard as I can. He screams in agony as the edge of the goggles rips into his skin. I chop him hard in the throat for good measure, but he moves too quickly. My knuckles don’t connect with his Adam’s apple, so I only succeed in hurting him rather than killing him. The big guy rolls and throws me off as if I’m a blanket. In an instant we’re both standing and ready for more.

By now Lo has stood and drawn a gun of his own. It’s some kind of semiautomatic—I can’t tell for sure what it is because things are moving way too fast. He points it at me and I reach for Wong’s shirt collar. I pull him toward me, swinging his body around so he’s between the desk and me. Lo’s gun fires and Wong jerks as the bullet penetrates his spine and bursts out through his sternum. I feel its heat as the round whizzes past my ear and embeds itself in the wall behind me. The blood follows a split second later, splashing me in the face and chest.

I’m still holding on to Wong, so I shove him backward toward the desk. His body crashes over it and knocks the computer monitor into Lo, who by now realizes he killed the wrong guy. He panics and makes a run for the door. I anticipate this and beat him to it. Lo isn’t a fighter—he’s more of a brains guy, so he isn’t equipped to handle the chokehold I lock around his head. My arm muffles his cries as I pop his head forward, snapping the surprisingly brittle bones in his neck. He collapses to the floor just as the sound of running boots outside grows louder. There’s no time to get into the ventilation shaft, so I press myself flat against the wall next to the door.

It bursts open and three armed security guards rush inside to find Lo and Wong dead on the floor. Their shock and dismay give me the opportunity to slip out behind them through the open door. There’s no way I can do it without detection, though. One of them shouts something like “There he is!” and the guards are after me. I run down the corridor to the staircase I know is straight ahead. It’s the only way out at this point. Instead of taking the steps, I leap over the rail and land in a crouching position in the middle of the lower flight. I take the remaining steps three at a time and I’m on the ground floor. By now, of course, a few more guards have been alerted to my presence. In fact, one guy is running at me from the direction of the big gaming room. He shouts and I dart toward him. He pulls a Smith & Wesson out of his holster, but I leap at the corridor wall, bounce off of it by kicking with the soles of my boots, and propel myself into him. He tumbles back as I gracefully land on my fingertips, do a split-second handstand, and then jackknife in the air to alight on my feet.

The nearest exit is the front door of the building. To get there I have to traverse the gaming room. Unlike many Macau casinos, the Tropical has one big gaming room—much like the casinos in Las Vegas—whereas others in Macau might have separate rooms for different games. Here you have blackjack, roulette, poker, baccarat, slot machines, and a couple of weird Chinese gambling games I’ve never heard of, all in one big space. At this hour there aren’t many patrons, so I decide to give them something to talk about when they go to work the next day. I run into the room and dart through an aisle of blackjack tables.

The place is deadly silent. The fifteen or so gamblers look up from their various games and stare, open-mouthed. The dealers are too shocked to move. Who’s this gweilo in the funny military costume running through the casino? The two guards at the front of the room, though, react differently. They draw their pistols and aim at me, not bothering to shout to the patrons to drop to the floor. As one guard takes a bead, I leap onto a blackjack table and dodge a bullet. I jump to the next table, spraying a pile of chips in all directions, and then bounce to another one as the second guard’s gun erupts. I feel like a frog on lily pads.

Part of my extensive training with Third Echelon involved learning to utilize my surroundings to propel myself quickly. I can use walls, furniture, and human beings as push-off points in order to get across an obstacle course. When I saw other guys doing it, I immediately thought of pinballs doing their thing inside arcade machines—and that’s precisely the concept behind the technique. It’s especially effective when someone’s shooting at you. A moving target that haphazardly changes direction is truly difficult to hit.

Now that the bullets are flying, the casino guests naturally shout in fear and cower. Some are smart enough to fall to the ground as I spring past them. The two guards, now blocking my exit, are firing their weapons indiscriminately, hoping to land a lucky shot. I have no choice but to act offensively. I duck behind a table, draw my Five-seveN and release the safety. It’s the Fabrique Nationale Herstal tactical model with a single-action trigger and a twenty-round magazine that holds 5.7¥28mm ss190 ammunition. The rounds offer good penetration against modern body armor while keeping the weapon’s weight, dimensions, and recoil at reasonable levels. The damage the rounds do to unarmored bodies is something to behold. It’s a weapon I don’t like to use in full-scale firefights, though. It has a fairly limited range, so I mostly use it in situations where I know I’ll have the advantage. Like this one.

I reach around the bottom leg of the table and fire—one, two—hitting both guards in the chest. Now the way is clear for me to rush the exit. I stand and move forward, leaping over one of the bodies as I do so.

I hear a shouted command behind me, followed by more gunfire. I glance back and see three more security guards running into the room. Damn, where did all these guys come from at this time of night? You’d think that at four in the morning they’d keep just one or two on duty to save money. I suppose bad guys all over the world retain guards in reserve for that one instance when an American operative barges through HQ in the middle of the night.

I reach for the pocket on my right outer thigh and remove a smoke grenade, one of the more harmless ones. I carry a couple of different types of smoke grenades—one that only produces dark smoke to cover my tracks, and another one filled with CS, or what tongue-twister lovers call O-chlorobenzalmalononitrile gas. That stuff is nasty. Exposure to CS gas causes violent respiratory seizure, and prolonged contact produces unconsciousness. I pull the ring and toss the grenade behind me and wait for the loud pop. The thing works surprisingly fast. Black smoke fills the gaming room in less than five seconds. It’s almost as if someone simply turned off the lights. With my goggles on I’m spared the eye irritation and can also see the archway out of the room.

I run into the casino’s main lobby and past a couple of frightened patrons. The entrance guards must have left their posts to chase me in the gaming room, because I’m home free. I push the glass doors open and bolt down the steps to the street. It’s still dark, of course, but lighting from the street lamps illuminates the area quite well. The few casinos on the street are still open. It will be a matter of minutes, maybe seconds, before more trouble appears on the scene.

I make my way around the building to the small parking lot and go to the first SUV I see. It’s a Honda, one of their luxury utility vehicles. I drop to the cement and roll underneath the car. Taking hold of the chassis, I pull myself up and lodge my body into the crevice so I can’t be seen from ground level. I spring a hook that’s embedded in my belt buckle and latch it on to the chassis to help hold me in place.

Sure enough, I hear running footsteps and shouts. The guards make it outside and begin to search the parking lot thoroughly. I imagine the looks of bewilderment on their faces. Where the hell did he go? He couldn’t have disappeared so quickly! I see feet run past the SUV. More shouts. More confusion. The guards’ boss is yelling at them, cursing in Chinese. It’s going to be his head for this! Find that gweilo now! More feet patter by as the men search up and down the aisles of cars.

It takes them ten minutes before they give up. They figure the intruder must have gone in another direction. I wait another five minutes to make sure it’s completely quiet, and then I lower myself to the cement. I look around for signs of people’s feet. Nothing. I roll out from under the Honda, look both ways, and then rise to a crouching position. I slowly lift my head over the hood and survey the parking lot. I’m alone.

I leave the property the way I came, using the shadows to mask my presence. I move like a tomcat, quiet and unobtrusive, sticking to walls and street objects. Stealth is the name of the game and I’m damned good at it.

As missions go, this one went relatively smoothly. No mission is “easy,” per se. They all have their challenges. I can’t take anything for granted and I must be certain that I do my job invisibly. That’s what being a Splinter Cell is all about. Leave no footprints. Get in. Get out. You’re done.

A Splinter Cell works alone. A remote team monitors and supports me—professionals that are damned good at their jobs, too—but it’s my ass that’s out there in the line of fire. Every move must be thought out as if the field were a gigantic chessboard. A single mistake can be fatal.

I like to think I don’t make mistakes. I’m Sam Fisher. I am a Splinter Cell.

Most helpful customer reviews

16 of 17 people found the following review helpful.
Tom Clancy's Splinter Cell; By David Micahels
By Jacqueline A. Fiest
This is an impressive first offering from David Michaels in the "Tom Clancy's Splinter Cell".

Writing a book off of a video game is always tricky, but Michales does a wonderful job of divulging into Sam Fisher as a person, which is something the games do very little of.

It was good to see Sarah involved heavily in the story line as she is often just a side note in the games. I feel her presence is important as she is what keeps Sam human. She is the only thing that can bring emotion out of Sam and I think thats important to the character.

Sams interactions with his Krav Maga instructor are also a very different side of things from the Sam we are used to.

This book does a great job of fleshing out the character as a person, aside from a bad ass black ops machine. For those who want to explore Sam as a person, and pass a few hours with an excellent book, this one I would highly reccomend.

17 of 20 people found the following review helpful.
The first in what promises to be a great series
By Brian Bowen
Splinter Cell is a novel that is based off of the popular video game that revolves around the best Splinter Cell out there, Sam Fisher. This book is the first in a series that is destine to run for many years. I was given the second book in this series as a present and was very impressed, impressed enough to pick up the first book in what promises to be a very solid series. I would recommend that anyone who would like to get involved in the Splinter Cell series to start with this book. Many of the items that Sam Fisher uses are explained in great detail at the start of this book and not nearly explained in as much detail in the second. The one thing that kept me from giving this book a 5 star rating was the fact that it ended far too abruptly. While the pages were winding down I was beginning to wonder how Mr. Bensen (aka David Michaels) was going to end the story in a matter of pages. Overall the book was very good and one that cost me some hours of sleep as I was unable to put it down. I would definitely recommend this book to anyone who likes a good action thriller type of book.

The last thing that I would like to comment on regards to this series is the fact that they decided to not use the true authors name (Raymond Bensen) and instead opted for the pseudonym of David Michaels. The reason that the pseudonym was used was for the series to be able to move on with a different author while keeping the same pen name. The publishing company believes that changing the author will cause a sudden change in the fan base causes less to purchase the book. The reason that that scares me is because I believe that the people involved with this book will remove Mr. Bensen from the series which I truly believe would be a great crime.

Brian Bowen

5 of 5 people found the following review helpful.
Awsome Book
By Eric Sorensen
I really loved this book. Being a huge fan of the game i bought this book the day i heard about it. Once i started i couldn't put it down. It is filled with action, and very much like the game. I would reccomend this book to anyone who likes the game, or anyone wanting to read something different.

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Jumat, 21 Februari 2014

! Free PDF Lost City (The NUMA Files), by Clive Cussler, Paul Kemprecos

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Lost City (The NUMA Files), by Clive Cussler, Paul Kemprecos

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Lost City (The NUMA Files), by Clive Cussler, Paul Kemprecos

The key to eternal life has been found beneath two thousand feet of icy water in an area known as the "Lost City." To a family of ruthless French arms dealers the Lost City is the key to world domination. To Kurt Austin, leader of NUMA's Special Assignments Team, and his colleague Joe Zavala, it may be their greatest—and deadliest—challenge of all.

  • Sales Rank: #224080 in Books
  • Brand: Berkley
  • Published on: 2005-07-26
  • Released on: 2005-07-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.00" w x 4.25" l, .64 pounds
  • Binding: Paperback
  • 528 pages
Features
  • Great product!

From Publishers Weekly
Kurt Austin, leader of the National Underwater and Marine Agency's Special Assignments Team, battles international evildoers again in the fifth installment of this excellent series. There are several parallel plots: a mysterious aviator has been found frozen in a massive glacier; a mutant seaweed is threatening to choke the world's oceans; a giant submarine is roaming the thermal vents of the deep sea area known as the Lost City; and the secretive, arms-dealing Fauchard family, run by ruthless black-widow Racine and her homicidal son, Emil, is up to no good. Also there's a mysterious 16th-century helmet, a search for the philosopher's stone and an island of filthy, mutant cannibals. Austin's love interest is lush, sensual Skye Labelle, an archeologist specializing in arms and armor ("She had a good body, but it would never make the cover of Sports Illustrated"). Kidnappings, hair's-breadth escapes, fierce battles, strange science, beautiful women and plenty of action add up to vintage Cussler. Of course, one of the secrets of the genre is to waste no time on ancillary details: "Before long, a cigar-shaped object came into view"; "Before long, they were stepping out of the cockpit onto the deck." Readers will find that, before long, they're racing through the pages as Austin and his band of merry men fight to stop the Fauchards from reaching the ultimate evildoer's goal: world domination.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–The Fauchards, successful developers and sellers of weapons, keep their place as a major power in the industry through many centuries. Kurt Austin and his crew of trained scientists and elite fighters from the National Underwater and Marine Agency begin investigating nefarious activities of the powerful Racine Fauchard and her son. Their dastardly project involves scientific experiments on humans in order to find an elixir of eternal youth. They are also leading a team of mercenaries who are melting down a massive glacier containing the remains of a Fauchard ancestor and a metal helmet on which is recorded the formula for the elixir. At the same time, the oceans of the world are under siege from a mutant strain of algae, one of the vile spin-off plots by the devilish Racine. Myriad subplots weave together until they form the ending. Along the way, the action fluctuates from a steady pace to racing forward when they intertwine. The story is set in the present, and historical events are added to help explain elements of the complex plot. Settings range from under the Atlantic Ocean to the French Alps and Greece. The Fauchards' creepy castle, complete with dungeon and torture chamber, increases the feeling of science fiction that often accompanies Cussler's stories. Interesting and entertaining reading.–Pam Johnson, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
This is the fifth Cussler-Kemprecos novel involving Kurt Austin, the leader of the National Underwater Marine Agency's Special Assignments Team. Austin had come to NUMA from the CIA, where he had worked for a little-known branch that specialized in underwater intelligence gathering. In this new novel, an enzyme that can prolong life has been discovered 2,500 feet down in the North Atlantic, in a place known as the Lost City. Conditions there are similar to those that existed at the dawn of life on earth. There is the threat of ecological catastrophe, people are killed, Austin is attacked by a man with a sword and an ax, he and his crew are hijacked, and all of this is tied in with a body found in a glacier in the Alps. The usual technical babble--side-scan sonar displays and lateral thrusters--is present and accounted for, as is the usual glamorous woman. Despite all the peril, our hero survives, and no matter that the ending is given away, because Austin's survival will come as no surprise to anyone. Besides, getting to that end is a page-turning adventure. George Cohen
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Another thrilling tale from the NUMA files. However the ...
By MK
Another thrilling tale from the NUMA files. However the book was somewhat spoiled by the myriad of spelling mistakes throughout the book, not something I would expect to find from authors of this calibre.

0 of 0 people found the following review helpful.
It's not just a hat.
By Joseph
They're at it again trying to take over the world thinking that they could become gods and rule all of humanity, but Kurt and Joe will try to stop them. Can they do it in time?

0 of 0 people found the following review helpful.
Good Summer read...nothing more
By William P. Yeomans
Typical Cussler novel. Keeps you turning the pages, however , the ending is absolutely second rate

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>> Ebook Free Stone Cold (Jesse Stone Novels), by Robert B. Parker

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Stone Cold (Jesse Stone Novels), by Robert B. Parker

Tony and Brianna Lincoln just moved into Paradise, but friendly they aren't. In fact, these urbane thrill killers are knocking off the neighbors one by one, and Jesse Stone is next.

  • Sales Rank: #65457 in Books
  • Brand: Berkley
  • Published on: 2004-09-28
  • Released on: 2004-09-28
  • Original language: English
  • Number of items: 4
  • Dimensions: 7.49" h x .90" w x 4.22" l, .36 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Great product!

From Publishers Weekly
It's taken four novels, but finally Parker's Jesse Stone series has produced a book as good as top-drawer Spenser. This outing finds the laconic, troubled cop tackling three problems: to capture the pair of serial killers who are murdering random victims in small-town Paradise, Mass., where Stone is chief of police; to bring to justice the three high-school students who gang-raped a younger schoolmate; and to come to terms with his love of both alcohol and his ex-wife, Jenn. The serial killers, revealed early to the reader and soon enough to Stone, are a married yuppie pair who taunt Stone, whom they take as a dumb hick cop, as he collects evidence to bring them down; his pursuit of them leads them to kill someone close to him, then to target Stone himself, and eventually to an emotionally cathartic climax in Toronto, where the killers have fled. That story line serves as a fine little police procedural, but Parker is at his max here when following the rape plot, especially in scenes in which Stone, in his cool, compassionate way, tries to help the besieged victim as best he can. Meanwhile, under intense media attention and pressure from town elders for the ongoing serial killings, Stone works his way toward an understanding of the roles that booze and Jenn play in his life. Told in third-person prose that's a model of economy, with sharp action sequences, deep yet unobtrusive character exploration and none of the cuteness that can mar the Spenser novels, this is prime Parker, testament to why he was named a Grand Master at the 2002 Edgar Awards.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Paradise, Massachusetts, police chief Jesse Stone is an addictive personality. Booze cost him his job as a homicide detective with the LAPD, and after that blew up, he traveled across the country to be near his ex-wife, television journalist Jenn. He refuses to believe it's over between them, and she doesn't help with her come-hither, leave-me-alone mood swings. But the qualities making his personal life hell also make him a good cop. You don't want Jesse to get you in his sights if you're a criminal. The baddies in this case are a couple who target their victims based on looks, stalk them, and kill them with two simultaneous shots from identical .22 caliber pistols. While hunting the psychos, Jesse is also after three middle-class juvenile predators who raped a classmate. Stone is much like Parker's Spenser, but with self-doubt overriding self-confidence. That formula worked fine in the first two Stone novels, but this one is less successful. Too much dime-store psychology between Stone and his Zen therapist; too much love-for-the-ages blather between Stone and his ex; and too much squad-room violence between Stone and his prisoners. Stone is a worthy character, but this is not the novel to make the case. But that doesn't mean Parker's fans won't want the chance to decide for themselves. Wes Lukowsky
Copyright © American Library Association. All rights reserved

Review
"Prose as clear and potent as fine vodka. Parker illuminates the dark-cornered minds of sociopaths."—Entertainment Weekly

"Moves like a speeding bullet.  Parker doesn't waste a word."—Orlando Sentinel

"A testament to why Parker was named a Grand Master at the 2002 Edgar Awards."—Publishers Weekly

"First rate. Parker is in roaring good form in this one."—Boston Globe

Most helpful customer reviews

5 of 5 people found the following review helpful.
Read about the highly appealing Jesse Stone
By J. Grattan
Jesse Stone is the beleaguered chief of police in tiny Paradise, Mass. He has ended up there after his job as a cop in Los Angeles, alcohol, and his ex-wife have forced him to redirect his life. Parker's Stone is an appealing character. He takes it one day at time, is a man of principle, and takes his new job seriously.

It is Stone's calmness and instincts as a cop that serve him well in investigating a series of seemingly linked killings in Paradise - something new in this small town. Though the strong, silent type, his sensitivity is evident in his handling of a sexual assault case in the local high school.

Stone has managed to get his alcohol abuse under control, but his ex-wife Jenn, a local TV personality, continues to bedevil him. He simply cannot move on without her, and this is despite his obvious appeal to other attractive and smart women.

The character of Jesse Stone is the reason to read this book, though it is mildly disappointing that the author really gives us little of his background. In addition the perpetrators of the murdering spree remain mostly a puzzle. How did they get to this point? Basically the book is a quick and enjoyable read.

0 of 0 people found the following review helpful.
Great read- again
By TreeSFS
Yet another good story. The dialogue is conversational and the characters are compelling. I'm working my way through the entire series. Love these books.

0 of 0 people found the following review helpful.
Good read
By victoria d. rose
Like his quips and since of humour. On the path of a read out. Farmers books good for the funnybone

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Rabu, 19 Februari 2014

^^ Free Ebook Inside Al Qaeda: Global Network of Terror, by Rohan Gunaratna

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Inside Al Qaeda: Global Network of Terror, by Rohan Gunaratna

Based on over five years of research, Inside Al Qaeda provides the definitive story behind the rise of this small, mysterious group to the notorious organization making headlines today.

  • Sales Rank: #1510555 in Books
  • Published on: 2003-06-03
  • Released on: 2003-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.22" h x 1.11" w x 5.38" l, .80 pounds
  • Binding: Paperback
  • 362 pages

Review
A comprehensive study of the terror group. -- The Mirror, London

Excellent. -- Wolf Blitzer, CNN

[Gunaratna is] the foremost English-speaking expert on the terror network. -- Dan Rather, CBS Evening News

From the Inside Flap
Inside Al Qaeda examines the leadership, ideology, structure, strategies, and tactics of the most violent politico-religious organization the world has ever seen. The book is based on five years of research on Al Qaeda, including extensive interviews with its members; field research in Al Qaeda-supported conflict zones in Central, South and Southeast Asia and the Middle East; and monitoring Al Qaeda infiltration of diaspora and migrant communities in North America and Europe.

The definitive work on Al Qaeda, this book is based on five years of research, including extensive interviews with its members; field research in Al Qaeda-supported conflict zones around the globe; and monitoring Al Qaeda infiltration of diaspora and migrant communities in North America and in Europe.

Inside Al Qaeda examines the leadership, ideology, structure, strategies and tactics of the most violent politico-religious organization the world has ever seen. Although founded in 1988, Al Qaeda merged with and still works with several other extremist groups. Hence Al Qaeda rank and file draw on nearly three decades of terrorist expertise. Moreover, it inherited a full-fledged training and operational infrastructure funded by the United States, European, Saudi Arabian and other governments for use in the anti-Soviet Jihad.

This book sheds light on Al Qaeda's financial infrastructure and how they train combat soldiers and vanguard fighters for multiple guerrilla, terrorist and semi-conventional campaigns in the Middle East, Asia, Africa, the Caucuses, and the Balkans. In addition, the author covers the clandestine Al Qaeda operational network in the West.

Gunaratna reveals:

* how Osama bin Laden had his mentor and Al Qaeda founder, 'Azzam', assassinated in order to take over the organization and that other Al Qaeda officers who stood in his way were murdered.

* Al Qaeda's long-range, deep-penetration agent handling system in Western Europe and North America for setting up safe houses, procuring weapons, and conducting operations

* how the O55 Brigade—Al Qaeda’s guerrilla organization—integrated into the Taliban

* how the arrest of Zacarias Moussaoui forced Al Qaeda to move forward on September 11

* how a plan to destroy British Parliament on 9/11 and to use nerve gas on the European Union Parliament were thwarted

* how the Iran—Hezbollah—Al Qaeda link provided the knowledge to conduct coordinated, simultaneous attacks on multiple targets, including failed plans to destroy Los Angeles International Airport, the USS Sullivan, the Radisson Hotel in Jordan, and eleven US commercial airliners over the Pacific ocean

* that one-fifth of international Islamic charities and NGOs are infiltrated by Al Qaeda

* how the US response is effective militarily in the short term, but insufficient to counter Al Qaeda's ideology in the long-term

Finally, to destroy Al Qaeda, Gunaratna shows there needs to be a multipronged, multiagency, and multidimensional response by the international community.

About the Author
Rohan Gunaratna, author of six books on armed conflict, was called to address the U.N., the U.S. Congress, and the Australian Parliament in the wake of September 11. He is a research fellow at the Centre for the Study of Terrorism and Political Violence, University of St. Andrew's, Scotland, and honorary fellow at the International Policy Institute for Counter-Terrorism in Israel. Previously, Gunaratna was principal investigator of the U.N.'s Terrorism Prevention Branch, and served as a consultant on terrorism to several governments and corporations. He has lectured worldwide on terrorism.

Most helpful customer reviews

38 of 44 people found the following review helpful.
Failure to document a controversial claim...
By Kay Kelly
This book appears to be a good reference source. I don't have the expertise to judge its accuracy, but I'm willing to assume the author knows his field.
There are problems. Foremost among them is Gunaratna's charge that Osama bin Laden acquiesced in the killing of his mentor, Sheikh Azzam, in 1989. This claim is worded more boldly on the cover flap: "[Gunaratna reveals] how bin Laden had his mentor and Al Qaeda founder, 'Azzam,' assassinated in order to take over the organization and how other Al Qaeda officers who stood in his way were murdered."
Gunaratna may "reveal" this to readers who haven't heard the rumors, but he doesn't prove it. He simply asserts that there was a falling out between Azzam on one side, and bin Laden and Egyptian members of their group on the other, because Azzam opposed using terror tactics. He claims the Egyptians assassinated Azzam after having "won over Osama to their cause"--that he "sanctioned, if not condoned" the killing. A sample of Gunaratna's biased writing: "All this is of a piece with Osama's exceedingly duplicitous nature."
How's this for evidence of involvement? "[Bin Laden's] cunning was...demonstrated by the fact that he left Pakistan for Saudi Arabia in the year that Azzam died. It has been impossible to pin down when exactly he left, and no sources on this have been forthcoming, but one should not in the least be surprised if it transpires he was not in Pakistan when Azzam was murdered, furnishing himself with a sound alibi and allowing him to distance himself from the act as much as possible."
The only source Gunaratna cites in support of his claims is a statement made by a prisoner a decade later: that bin Laden ordered the assassination because he believed Azzam was aiding the CIA. That's a completely different motive from the one he alleges.
What about those other murders of people who stood in bin Laden's way? More may be described in the book, but this is the only one I've found: "Mustafa Shalabi, who was close to Azzam, was killed on March 1, 1991. Although there is no evidence that Osama ordered his death, it is clear that Shalabi was not with the Egyptians who backed Osama."
No evidence. Gunaratna admits it.
Here's another blurb from the cover flap: "[Gunaratna reveals] how the arrest of Zacarias Moussaoui forced Al Qaeda to move forward on the September 11 attacks." This implies that the date was moved up, as others have speculated; but again, there's no hard evidence. All Gunaratna shows is that the hijackers' financial activity picked up in the week after Moussaoui's arrest. That could well have been the case, in a late August time frame, if the attacks were planned all along for about September 11.
There are other problems. Gunaratna states in one chapter that some of the world's intelligence agencies aren't convinced al-Qaida #3 man Muhammad Atef is dead. It may be excusable that in another chapter, he says without qualification that Atef was killed last November. What's not excusable is that he also says Abu Hafs was killed in January. Muhammad Atef and Abu Hafs are or were the same man! [A later note, 8/29/02: A recent news account made clear that a second man, Mafouz Walid, used the same nom de guerre, but was usually differentiated from Atef by calling him "Abu Hafs the Mauritanian." Walid was supposedly killed in January, but it's now claimed he's still alive. Could this name-confusion have influenced the suspicions that Atef is alive?]
Something else: Gunaratna tells us Sudan's President al-Bashir once offered to extradite bin Laden to the U.S. The wording implies this happened in 2001--when bin Laden was nowhere near Sudan. Gunaratna can't mean 2001; he says the U.S. President was Bill Clinton. But the passage is hopelessly unclear.
The book's most interesting claim is that the 9/11 plot was meant to include strikes on the British Houses of Parliament, the Indian Parliament, and a target in Australia. This is based on statements made by a single prisoner, which may or may not be proven true as more facts come to light. Less startling, but new to me: Gunaratna says the men wounded in the capture of Abu Zubaydah included "1 Pakistani and 3 American officers." If he has more details, I wish he'd shared them.
Despite my quibbles, I give the book four stars for its information on names, dates, and terrorist activities in obscure parts of the world.

28 of 38 people found the following review helpful.
The DEFINITIVE BOOK proven more correct every single day
By Joel L. Gandelman
This is THE definitive book so far on Al Qadea for several reasons. One of the biggest is that since it came out in 2002 (it is now in paperback too) it has proven more correct every single day. If you've heard some of this information before or read some of it before it's mainly because this is the book that clearly has been the authorative source for many of journalists (I was a journalist and know how that works!)who do not attribute their on-the-air brilliance to the fact that they read this book. It's all HERE. And more and more of this book is proving to be correct every single day.
The latest sign of author Rohan Gunaratna's solid scholarship, analysis and nuts-and-bolts-inside-info in Inside Al Qaeda has been displayed on the front page of the Los Angeles Times which ran a story about how the terrorist organization is undergoing a "major shift" in strategy -- mutating into more of a decentralized network, relying on an array of regional and local allies to launch more frequent attacks on targets. If you read the book before, you KNEW that this network was in place -- and that this development was coming.
Guanaratna painstakingly lays out the huge worldwide network of terrorist groups that are directly or indirectly allied with Al Qaeda. He breaks it down into regions and countries. In fact, this book is a virtual directory: see an event in the newspapers, then look it up in this book and you have all the background to sound like an on the air expert (but you won't get paid big bucks).
No, it does not read like a novel. But this superb book is highly readable -- reading like a straightfoward newsmagazine report. There is not a word of filler or ideological rhetoric in it -- the author only lays out....facts. When he states that there is no evidence of a solid connection between Iraq and 911 he has 100 percent credibility due to what has come before. He's NOT proclaming it due to any political agenda.
The book details it all: the bloody and highly political rise of Osama Bin Laden, Bin Laden's motives and goals (basically achieve a political goal by garnering a high victim body count, and whether that includes civilians, women, children or Muslims is absolutely irrelevant); the skyrocketing rise of militant Islam; how slights from fellow Muslim national leaders created and radicalized the Al Qaeda into a terrorism Frankenstein; an account of 911 from an operational standpoint; predictions on what is likely to come; and the highly detailed profiles of various cells.
To those who are not sympathetic to Bin Laden or Al Qaeda's political goals (in other words, those who do feel upset if they see innocents intentionally murdered to make a political statement)this book is depressing, as it documents Al Qaeda's highly fluid and adaptable "multidimensional" nature -- which you now see in newscycles each day. Nor will it vanish soon. Writes Gunaratna: "Al Qaeda's leadership, membership and supporters firmly believe that everything happens according to God's will."

18 of 20 people found the following review helpful.
A Disappointing But Exhaustive Study of al-Qaeda
By Amazon Customer
It is shocking when a major university press publishes a book as sloppily edited as this one. In addition to the factual errors other reviewers have noted, there are numerous typos and sentence fragments. The notes at the back are also very inconsistent in their level of citation. All of this is particularly unfortunate, since the author clearly has amassed a great wealth of detail on al-Qaeda's worldwide operations, including much "new" evidence hitherto unpublished in English. But given the carelessness of so much of the editing, how can we be sure the author's information is accurate and trustworthy?
I did think this book had two virtues. The country-by-country survey of al-Qaeda operations gave a very thorough and complex picture of the ways in which al-Qaeda infiltrates and liaises with local groups and causes, while retaining its global ideology and focus. And the reporting is happily free of the America-centric emphasis of so much recent work on al-Qaeda. Although sympathetic to the American position, the author lets al-Qaeda 'speak for itself' and stresses the danger it poses in many countries, not just the United States.
Frankly, I would not allow such a shoddily edited book (obviously hastily rushed to press to capitalize on the current crisis) to be published under my name, particularly when I clearly had such a detailed command of a subject, as this author seems to.

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